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John Williams

  • 1 John Williams

    Names and surnames: JW

    Универсальный русско-английский словарь > John Williams

  • 2 Williams, Thomas

    [br]
    b. 13 May 1737 Cefn Coch, Anglesey, Wales
    d. 29 November 1802 Bath, England
    [br]
    Welsh lawyer, mine-owner and industrialist.
    [br]
    Williams was articled by his father, Owen Williams of Treffos in Anglesey, to the prominent Flintshire lawyer John Lloyd, whose daughter Catherine he is believed to have married. By 1769 Williams, lessee of the mansion and estate of Llanidan, was an able lawyer with excellent connections in Anglesey. His life changed dramatically when he agreed to act on behalf of the Lewis and Hughes families of Llysdulas, who had begun a lawsuit against Sir Nicholas Bayly of Plas Newydd concerning the ownership and mineral rights of copper mines on the western side of Parys mountain. During a prolonged period of litigation, Williams managed these mines for Margaret Lewis on behalf of Edward Hughes, who was established after a judgement in Chancery in 1776 as one of two legal proprietors, the other being Nicholas Bayly. The latter then decided to lease his portion to the London banker John Dawes, who in 1778 joined Hughes and Thomas Williams when they founded the Parys Mine Company.
    As the active partner in this enterprise, Williams began to establish his own smelting and fabricating works in South Wales, Lancashire and Flintshire, where coal was cheap. He soon broke the power of Associated Smelters, a combine holding the Anglesey mine owners to ransom. The low production cost of Anglesey ore gave him a great advantage over the Cornish mines and he secured very profitable contracts for the copper sheathing of naval and other vessels. After several British and French copper-bottomed ships were lost because of corrosion failure of the iron nails and bolts used to secure the sheathing, Williams introduced a process for manufacturing heavily work-hardened copper bolts and spikes which could be substituted directly for iron fixings, avoiding the corrosion difficulty. His new product was adopted by the Admiralty in 1784 and was soon used extensively in British and European dockyards.
    In 1785 Williams entered into partnership with Lord Uxbridge, son and heir of Nicholas Bayly, to run the Mona Mine Company at the Eastern end of Parys Mountain. This move ended much enmity and litigation and put Williams in effective control of all Anglesey copper. In the same year, Williams, with Matthew Boulton and John Wilkinson, persuaded the Cornish miners to establish a trade cooperative, the Cornish Metal Company, to market their ores. When this began to fall in 1787, Williams took over its administration, assets and stocks and until 1792 controlled the output and sale of all British copper. He became known as the "Copper King" and the output of his many producers was sold by the Copper Offices he established in London, Liverpool and Birmingham. In 1790 he became Member of Parliament for the borough of Great Marlow, and in 1792 he and Edward Hughes established the Chester and North Wales Bank, which in 1900 was absorbed by the Lloyds group.
    After 1792 the output of the Anglesey mines started to decline and Williams began to buy copper from all available sources. The price of copper rose and he was accused of abusing his monopoly. By this time, however, his health had begun to deteriorate and he retreated to Bath.
    [br]
    Further Reading
    J.R.Harris, 1964, The "Copper King", Liverpool University Press.
    ASD

    Biographical history of technology > Williams, Thomas

  • 3 Williams, Sir Frederic Calland

    [br]
    b. 26 June 1911 Stockport, Cheshire, England
    d. 11 August 1977 Prestbury, Cheshire, England
    [br]
    English electrical engineer who invented the Williams storage cathode ray tube, which was extensively used worldwide as a data memory in the first digital computers.
    [br]
    Following education at Stockport Grammar School, Williams entered Manchester University in 1929, gaining his BSc in 1932 and MSc in 1933. After a short time as a college apprentice with Metropolitan Vickers, he went to Magdalen College, Oxford, to study for a DPhil, which he was awarded in 1936. He returned to Manchester University that year as an assistant lecturer, gaining his DSc in 1939. Following the outbreak of the Second World War he worked for the Scientific Civil Service, initially at the Bawdsey Research Station and then at the Telecommunications Research Establishment at Malvern, Worcestershire. There he was involved in research on non-incandescent amplifiers and diode rectifiers and the development of the first practical radar system capable of identifying friendly aircraft. Later in the war, he devised an automatic radar system suitable for use by fighter aircraft.
    After the war he resumed his academic career at Manchester, becoming Professor of Electrical Engineering and Director of the University Electrotechnical Laboratory in 1946. In the same year he succeeded in developing a data-memory device based on the cathode ray tube, in which the information was stored and read by electron-beam scanning of a charge-retaining target. The Williams storage tube, as it became known, not only found obvious later use as a means of storing single-frame, still television images but proved to be a vital component of the pioneering Manchester University MkI digital computer. Because it enabled both data and program instructions to be stored in the computer, it was soon used worldwide in the development of the early stored-program computers.
    [br]
    Principal Honours and Distinctions
    Knighted 1976. OBE 1945. CBE 1961. FRS 1950. Hon. DSc Durham 1964, Sussex 1971, Wales 1971. First Royal Society of Arts Benjamin Franklin Medal 1957. City of Philadelphia John Scott Award 1960. Royal Society Hughes Medal 1963. Institution of Electrical Engineers Faraday Medal 1972. Institute of Electrical and Electronics Engineers Pioneer Award 1973.
    Bibliography
    Williams contributed papers to many scientific journals, including Proceedings of the Royal Society, Proceedings of the Cambridge Philosophical Society, Journal of the Institution of Electrical Engineers, Proceedings of the Institution of Mechanical Engineers, Wireless Engineer, Post Office Electrical Engineers' Journal. Note especially: 1948, with J.Kilburn, "Electronic digital computers", Nature 162:487; 1949, with J.Kilburn, "A storage system for use with binary digital computing machines", Proceedings of the Institution of Electrical Engineers 96:81; 1975, "Early computers at Manchester University", Radio \& Electronic Engineer 45:327. Williams also collaborated in the writing of vols 19 and 20 of the MIT Radiation
    Laboratory Series.
    Further Reading
    B.Randell, 1973, The Origins of Digital Computers, Berlin: Springer-Verlag. M.R.Williams, 1985, A History of Computing Technology, London: Prentice-Hall. See also: Stibitz, George R.; Strachey, Christopher.
    KF

    Biographical history of technology > Williams, Sir Frederic Calland

  • 4 Williams, William Sherley

    (1787-1849) Уильямс, Уильям Шерли
    Маунтинмен [ mountain men], траппер [ trapper], проводник и переводчик нескольких экспедиций, направленных правительством США на Запад. Был известен под прозвищем Старина Билл [Old Bill]. Родился в Северной Каролине, в 1794 переселился в окрестности г. Сент-Луиса, с 16-летнего возраста в течение 25 лет жил среди индейцев осейдж [ Osage], зарабатывая как переводчик и проводник. С 1824 большую часть времени охотился на пушного зверя в южных районах Скалистых гор [ Rocky Mountains], обошел многие районы Калифорнии, Орегона, Колорадо, Юты. В качестве проводника принял участие в экспедициях Дж. Фримонта [ Fremont, John Charles] в 1845 и в 1848-49. Был убит индейцами во время экспедиции к Рио-Гранде [ Rio Grande River]

    English-Russian dictionary of regional studies > Williams, William Sherley

  • 5 Williams, John

    (1664-1729) Уильямс, Джон
    Священник, пастор церкви в массачуссетском городке Дирфилд, подвергшемся нападению и разоренном индейцами в 1704 [ Deerfield massacre]. Вместе с семьей попал в плен к индейцам и находился в нем до 1706. Вернувшись в Дирфилд, вновь возглавил приход. Его воспоминания, "Возвращение спасенного пленника в Сион" ["The Redeemed Captive Returning to Zion"], опубликованные в 1707, стали своего рода "бестселлером" [ bestseller] колониального периода.

    English-Russian dictionary of regional studies > Williams, John

  • 6 Williams, John Towner

    (р. 1932) Уильямс, Джон Таунер
    Композитор и дирижер. Известен как автор музыки к более чем 50 фильмам, в том числе к популярным фильмам С. Спилберга [ Spielberg, Steven]. Сочинял симфоническую, камерную, джазовую [ jazz] и популярную музыку. С 1980 главный дирижер оркестра "Бостон попс" [ Boston Pops]. Среди фильмов, музыку к которым он написал, - "Похитители" ["The Reivers"] (1969), "Челюсти" ["Jaws"] (1975), "Звездные войны" [ Star Wars] (1977), "Близкие контакты третьего вида" ["Close Encounters of the Third Kind"] (1977), "Супермен" ["Superman"] (1978), "Искатели потерянного ковчега" ["Raiders of the Lost Ark"] (1981), "И-Ти - инопланетянин" ["E.T.: The Extra-Terrestrial"] (1982). За музыку к фильмам удостоен нескольких премий "Оскар" [ Oscar], "Эмми" [ Emmy Award] и "Грэмми" [ Grammy Award]

    English-Russian dictionary of regional studies > Williams, John Towner

  • 7 McCarthy, John P.

    1884-1962
       Actor, guionista, director, que empieza a trabajar en el cine en la epoca muda. Son muchos los realizadores norteamericanos cuya semblanza podria empezar de la misma manera; incluso, anadiendo que su especialidad fue el western, como es el caso de McCarthy; incluso, diciendo que su trabajo no fue nada apasionante, como es el caso de McCarthy, que dirige peliculas, hasta un total de cuarenta, entre 1920 y 1945; de ellas, 28 son westerns, aunque la cifra se reduce a 22 si solo incluimos los sonoros. Ya se sabe: peliculas de una hora de duracion, aproximadamente, interpretadas por alguna de las estrellas del western de serie B.
        Oklahoma Cyclone. 1930. 66 minutos. Blanco y Negro. Tiffany. Bob Steele, Rita Rey, Al St John.
        The Land of Missing Men. 1930. 58 minutos. Blanco y Negro. Tiffany. Bob Steele, Caryl Lincoln, Al St John.
        Headin’ North. 1930. 60 minutos. Blanco y Negro. Tiffany. Bob Steele, Barbara Luddy.
        Sunrise Trail (El camino de la muerte). 1931. 65 minutos. Blanco y Negro. Tiffany. Bob Steele, Blanche Mehaffey.
        God’s Country and the Man. 1931. 59 minutos. Blanco y Negro. Syndicate. Tom Tyler, Betty Mack.
        Rider of the Plains. 1931. 57 minutos. Blanco y Negro. Syndicate. Tom Tyler, Lilian Bond.
        The Ridin’ Fool. 1931. 58 minutos. Blanco y Negro. Tiffany. Bob Steele, Frances Morris.
        The Nevada Buckaroo. 1931. 59 minutos. Blanco y Negro. Tiffany. Bob Steele, Dorothy Dix.
        Cavalier of the West. 1931. 75 minutos. Blanco y Negro. Artclass. Harry Carey, Carmen LeRoux.
        The Man from New Mexico. 1932. 60 minutos. Blanco y Negro. Monogram. Tom Tyler, Caryl Lincoln, Robert Walker.
        The Western Code. 1932. 61 minutos. Blanco y Negro. Columbia. Tim McCoy, Nora Lane.
        The Forty-Niners. 1932. 59 minutos. Blanco y Negro. Monarch. Tom Tyler, Betty Mack.
        Lucky Larrigan. 1932. 58 minutos. Blanco y Negro. Monogram. Rex Bell, Helen Foster.
        The Fighting Champ. 1932. 59 minutos. Blanco y Negro. Monogram. Bob Steele, Arletta Duncan, George Hayes.
        Crashing Broadway. 1933. 59 minutos. Blanco y Negro. Monogram. Rex Bell, Doris Hill.
        Trailing North. 1933. 60 minutos. Blanco y Negro. Monogram. Bob Steele, Doris Hill.
        Law of the 45. 1935. 57 minutos. Blanco y Negro. Normandy. Guinn Williams, Molly O’Day, Al St. John.
        Lawless Border. 1935. 58 minutos. B y N. Spectrum. Bill Cody, Molly O’Day.
        Song of the Gringo. 1936. 62 minutos. Blanco y Negro. Grand National. Tex Ritter, Fuzzy Knight, Joan Woodbury, Monte Blue.
        Raiders of the Border. 1944. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Ellen Hall, Raymond Hatton.
        Marked Trails. 1944. 58 minutos. Blanco y Negro. Monogram. Hoot Gibson, Bob Steele, Veda Ann Borg.
        The Cisco Kid Returns. 1945. 64 min. Blanco y Negro. Monogram. Duncan Renaldo, Roger Pryor, Cecilia Callejo, Martin Galarraga, Vicky Lane.

    English-Spanish dictionary of western films > McCarthy, John P.

  • 8 senior

    'si:njə
    1. noun
    1) ((also adjective) (a person who is) older in years or higher in rank or authority: John is senior to me by two years; He is two years my senior; senior army officers.) mayor
    2) ((American) a student in his/her last year in college or high school.)

    2. adjective
    ((often abbreviated to Snr, Sr or Sen. when written) used to indicate the father of a person who is alive and who has the same name: John Jones Senior.) padre
    - senior citizen
    senior adj
    1. mayor
    2. de responsabilidad senior se refiere a alguien que ocupa una posición alta o de responsabilidad en una organización
    3. padre
    Se usa para distinguir el padre del hijo cuando tienen el mismo nombre y apellido
    John Smith Senior John Smith, padre
    tr['siːnɪəSMALLr/SMALL]
    1 padre
    John Williams, Senior John Williams, padre
    senior ['si:njər] adj
    1) elder: mayor
    John Doe, Senior: John Doe, padre
    2) : superior (en rango), más antiguo (en años de servicio)
    a senior official: un alto oficial
    1) : superior m (en rango)
    2)
    to be someone's senior : ser mayor que alguien
    she's two years my senior: me lleva dos años
    adj.
    mayor adj.
    n.
    alumno del último curso s.m.
    anciano s.m.
    decano s.m.
    mayor s.m.
    padre s.m.
    socio de los más antiguos s.m.
    viejo s.m.

    I 'siːnjər, 'siːniə(r)
    1)

    senior editor — editor, -tora m,f, redactor, -tora m,f sénior

    senior lecturer — (BrE) ≈profesor adjunto, profesora adjunta m,f, ≈agregado, -da m,f a cátedra

    senior partner — socio mayoritario, socia mayoritaria m,f

    senior TO somebody: she's senior to him — es su superior

    b) ( older)

    Robert King, Senior — (esp AmE) Robert King, padre or sénior

    2) ( Educ)

    senior school — ( in UK) colegio m secundario

    the senior boyslos chicos mayores or de los últimos cursos

    senior year — ( in US) último año or curso


    II
    1)

    he's five years my senior — me lleva cinco años, es cinco años mayor que yo

    b) ( person of higher rank) superior m
    2) ( Educ) estudiante mf del último año or curso
    ['siːnɪǝ(r)]
    1. ADJ
    1) (in age) mayor

    he is senior to me by five yearsfrm es cinco años mayor que yo, tiene cinco años más que yo

    2) (in rank) [position, rank] superior; [partner, executive, officer] mayoritario; (in length of service) de más antigüedad
    2. N
    1) (in age) mayor mf

    he's my senior by two years — es dos años mayor que yo, tiene dos años más que yo

    2) (in rank) superior mf, socio(-a) m / f más antiguo(-a)
    3) (Scol) alumno(-a) m / f de los cursos más avanzados; (US) estudiante mf del último año
    See:
    4) (US) = senior citizen
    3.
    CPD

    senior citizen Njubilado(-a) m / f, persona f de la tercera edad

    senior common room N(Brit) (in university) (=room) sala f de profesores (titulares); (=lecturing staff collectively) claustro m de profesores (titulares)

    senior high school N(US) instituto m de enseñanza superior (Sp), preparatoria f (Mex)

    senior partner Nsocio(-a) m / f mayoritario(-a)

    senior school Ninstituto m de enseñanza secundaria

    the Senior Service N(Brit) la marina

    senior prom N(US) baile m del último año or curso

    senior year N(US) (at school) último año m, último curso m

    * * *

    I ['siːnjər, 'siːniə(r)]
    1)

    senior editor — editor, -tora m,f, redactor, -tora m,f sénior

    senior lecturer — (BrE) ≈profesor adjunto, profesora adjunta m,f, ≈agregado, -da m,f a cátedra

    senior partner — socio mayoritario, socia mayoritaria m,f

    senior TO somebody: she's senior to him — es su superior

    b) ( older)

    Robert King, Senior — (esp AmE) Robert King, padre or sénior

    2) ( Educ)

    senior school — ( in UK) colegio m secundario

    the senior boyslos chicos mayores or de los últimos cursos

    senior year — ( in US) último año or curso


    II
    1)

    he's five years my senior — me lleva cinco años, es cinco años mayor que yo

    b) ( person of higher rank) superior m
    2) ( Educ) estudiante mf del último año or curso

    English-spanish dictionary > senior

  • 9 JW

    Универсальный англо-русский словарь > JW

  • 10 CULTURE, LITERATURE, AND LANGUAGE

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       ■ Mateus, Rui. Contos Proibidos. Memorias de Um PS Desconhecido, 3rd ed. Lisbon: Dom Quixote, 1996.
       ■ Maxwell, Kenneth. "Portugal under Pressure." The New York Review of Books (May 2, 1974).
       ■. "The Hidden Revolution in Portugal." The New York Review of Books (April 17, 1975).
       ■. "The Thorns of the Portuguese Revolution." Foreign Affairs 54, 2 (Jan. 1976): 250-70.
       ■. "The Communists and the Portuguese Revolution." Dissent 27, 2 (Spring 1980): 194-206.
       ■. Portugal in the 1980s: Dilemmas of Democratic Consolidation. Westport, Conn.: Greenwood, 1986.
       ■. The Making of Portuguese Democracy. Cambridge: Cambridge University Press, 1995.
       ■, ed. "Portugal: Toward the Twenty-First Century." Camoes Center Quarterly 5, 3-4 (Fall 1995): 6-55.
       ■, ed. The Press and the Rebirth of Iberian Democracy. Westport, Conn.: Greenwood, 1983.
       ■. Portugal Ten Years after the Revolution: Reports of Three Columbia University-Gulbenkian Workshops. New York: Research Institute on International Change, Columbia University, 1984.
       ■ Maxwell, Kenneth, and Michael H. Haltzel, eds. Portugal: Ancient Country, Young Democracy. Washington, D.C.: Wilson Center Press, 1990.
       ■ Medeiros Ferreira, José. Ensaio Histórico sobre a revolução do 25 de Abril. Lisbon, 1983.
       ■ Medina, João, ed. Portugal De Abril: Do 25 Aos Nossos Dias. In Medina, ed., História Contemporãnea De Portugal. Lisbon, 1985. Merten, Peter. Anarchismus ünd Arbeiterkãmpf in Portugal. Hamburg: Libertare, 1981.
       ■ Miranda, Jorge. Constituição e Democracia. Lisbon, 1976.
       ■. A Constituição de 1976. Lisbon, 1978.
       ■ Morrison, Rodney J. Portugal: Revolutionary Change in an Open Economy. Boston: Auburn House, 1981.
       ■ Mujal-Leôn, Eusebio. "The PCP [Portuguese Communist Party] and the Portuguese Revolution." Problems of Communism 26 (Jan.- Feb. 1977): 21-41.
       ■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.
       ■ Oliveira, César. M. F. A. e Revolução Socialista. Lisbon, 1975.
       ■. Os Anos Decisivos: Portugal 1962-1985. Um testemunho. Lisbon: Presença, 1993.
       ■ Opello, Waiter C., Jr. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.
       ■. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991.
       ■ Pell, Senator Claiborne H. Portugal ( Including the Azores and Spain) in Search of New Directions: Report to the Committee on Foreign Relations, U.S. Senate. Washington, D.C.: Government Printing Office, 1976.
       ■ Pereira, J. Pacheco. "A Case of Orthodoxy: The Communist Party of Portugal." In Waller and Fenema, eds., Communist Parties in Western Europe: Adaptation or Decline? Oxford: Basil Blackwell, 1988.
       ■ Pilmott, Ben. "Socialism in Portugal: Was It a Revolution?" Government and Opposition 7 (Summer 1977).
       ■. "Were the Soldiers Revolutionary? The Armed Forces Movement in Portugal, 1973-1976." Iberian Studies 7, 1 (1978): 13-21.
       ■, and Jean Seaton. "Political Power and the Portuguese Media." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 43-57. Madison: University of Wisconsin Press, 1983.
       ■ Porch, Douglas. The Portuguese Armed Forces and the Revolution. London: Croom Helm and Stanford, Calif.: Hoover Institution Press, 1977.
       ■ Pouchin, Dominique. Portugal, quelle révolution? Paris, 1976.
       ■ Pulido Valente, Vasco. "E Viva Otelo." In Pulido Valente, V., ed., O País das Maravilhas, 451-54. Lisbon, 1979 [anthology of articles from weekly Lisbon paper, Expresso].
       ■. Estudos Sobre a Crise Nacional. Lisbon, 1980.
       ■ Rebelo de Sousa, Marcelo. O Sistema de Governo Português antes e depois da Revisão Constitucional, 3rd ed. Lisbon, 1981. Rêgo, Raúl. Militares, Clérigos e Paisanos. Lisbon, 1981. Robinson, Richard A. H. Contemporary Portugal: A History. London: Allen & Unwin, 1979.
       ■ Rodrigues, Avelino, Cesário Borga, and Mário Cardoso. O Movemento dos Capitães e o 25 de Abril. Lisbon, 1974.
       ■. Portugal Depois De Abril. Lisbon, 1976.
       ■ Ruas, H. B., ed. A Revolução das Flores. Lisbon, 1975.
       ■ Rudel, Christian. La Liberte couleur d'oeillet. Paris: Fayard, 1980.
       ■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.
       ■ Sá Carneiro, Francisco. Por Uma Social-Democracia Portuguesa. Lisbon, 1975.
       ■ Sanches Osôrio, Helena. Um Só Rosto. Uma Só Fé. Conversas Com Adelino Da Palma Carlos. Lisbon, 1988. Sanches Osôrio, J. The Betrayal of the 25th of April in Portugal. Madrid: Sedmay, 1975.
       ■ Schmitter, Philippe C. "Liberation by Golpe: Retrospective Thoughts on the Demise of Authoritarian Rule in Portugal." Armed Forces and Society 2 (1974): 5-33.
       ■. "An Introduction to Southern European Transitions from Authoritarian Rule: Italy, Greece, Portugal, Spain and Turkey." In G. O'Donnell,
       ■ P. C. Schmitter, and L. Whitehead, eds., Transitions from Authoritarian Rule, 3-10. Baltimore, Md.: Johns Hopkins University Press, 1986.
       ■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).
       ■ Simões, Martinho, ed. Relatório Do 25 De Novembro: Texto Integral, 2 vols. Lisbon, 1976.
       ■ Soares, Isabel, ed. Mário Soares: O homem e o político. Lisbon, 1976. Soares, Mário. Democratização e Descolonização: Dez meses no Governo Provisório. Lisbon, 1975. Sobel, Lester A., ed. Portuguese Revolution, 1974-1976. New York: Facts on File, Inc., 1976.
       ■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.
       ■ Stock, Maria José. Os Partidos do Poder: Dez Anos Depois do " 25 De Abril." Evora, 1986.
       ■ Story, Jonathan. "Portugal's Revolution of Carnations: Patterns of Change and Continuity." International Affairs 52 (July 1976): 417-34. Sweezey, Paul. "Class Struggles in Portugal." Monthly Review 27, 4 (Sept. 1975): 1-26.
       ■ Szulc, Tad. "Lisbon and Washington: Behind Portugal's Revolution." Foreign Policy 21 (Winter 1975-76): 3-62. Tavares de Almeida, Antônio. Balsemão: O retrato. Lisbon, 1981. "Vasco." Desenhos Políticos. Lisbon, 1974.
       ■ Vasconcelos, Alvaro. "Portugal in Atlantic-Mediterranean Security." In Douglas T. Stuart, ed., Politics and Security in the Southern Region of the Atlantic Alliance, 117-36. London: Macmillan, 1988.
       ■ Wheeler, Douglas L. "Golpes militares e golpes literários. A literatura do golpe de 25 de Abril de 1974 em contexto histôrico." Penélope. Fazer E Desfazer A História, 19-20 (1998): 191-212.
       ■. "Tributo ao Historiador dos Historiadores. Memorias de A.H.de Oliveira Marques (1933-2007)," Historia XXIX, 95, III series (March 2007), 18-22.
       ■ Wiarda, Howard J. Transcending Corporatism? The Portuguese Corporative System and the Revolution of 1974. Columbia: Institute of International Studies, University of South Carolina, 1976.
       ■. The Transition to Democracy in Spain and Portugal. Washington, D.C.: American Enterprise Institute for Public Policy Research, 1989. Wise, Audrey. Eyewitness in Revolutionary Portugal. With a Preface by Judith Hart, MP. London: Spokesman, 1975.
       ■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA
       ■ Birot, Pierre. Le Portugal: Étude de géographie régionale. Paris, 1950.
       ■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.
       ■ Girão, Aristides de Amorim. Divisão regional, divisão agrícola e divisão administrativa. Coimbra, 1932.
       ■. Atlas de Portugal, 2nd ed. Coimbra, 1958.
       ■ Ribeiro, Orlando. Portugal, O Mediterrâneo e o Altântico. Coimbra, 1945 and later eds.
       ■. Portugal. Volume V of Geografia de Espana y Portugal. Barcelona, 1955.
       ■. Ensaios de Geografia Humana e regio nal. Lisbon, 1970.
       ■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.
       ■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.
       ■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.
       ■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.
       ■ ARCHAEOLOGY AND PREHISTORY
       ■ "Actas do Colóquio Inter-Universitário do Noroeste Peninsular (Porto-Baião, 1988), vol. II, Proto-História, romanização e Idade Média." In Trabalhos de antropologia e etnologia. 28, 3-4 (1988).
       ■ Alarcão, Jorge de, ed. "Do Paleolítico va arte visigótica." Vol. 1, História da
       ■ Arte em Portugal. Lisbon: Alfa, 1986.
       ■. Roman Portugal, 3 vols. Warminister, U.K.: Aris & Phillips, 1988.
       ■. Portugal Das Orígens A Romanização. Vol. I. In J. Serrão and A. H. de Oliveira Marques, eds. Nova História de Portugal. Lisbon: Presença, 1990. Anderson, James M., and M. S. Lea. Portugal 1001 Sights: An Archaeological and Historical Guide. Calgary, Alberta: University of Calgary and Robert Hale, 1994.
       ■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.
       ■ Beirão, C. M. M. Une civilization protohistorique du Sud au Portugal ( 1er Age du Fer). Paris: D. Boccard, 1986.
       ■ Cardoso, João Luís, Santinho A. Cunha, and Delberto Aguiar. O Homem Pre-Histórico no Concelho de Oeiras. Oeiras, Portugal: Estudos Arquelógicos de Oeiras, 1991.
       ■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.
       ■ Mangas, Júlio, ed. Hispania epigraphica. Madrid, 1989.
       ■ Maloney, Stephanie J. "The Villa of Toerre de Palma, Portugal: Archaeology and Preservation." Portuguese Studies Review VIII, 1 (Fall-Winter, 1999-2000): 14-28.
       ■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. London, 1968.
       ■ Silva, A. C. F. A cultura castreja no Noroeste de Portugal. Paços de Ferreira:
       ■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.
       ■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS
       ■ Andersen, Hans Christian. A Visit to Portugal 1866. London: Peter Owen, 1972.
       ■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.
       ■ Boyd Alexander, ed. London: Hart-Davies, 1954.
       ■. Recollections of an Excursion to the Monasteries of Alcoboca and Batalha. Fontwell, U.K.: Centaur Press, 1972.
       ■ Bell, Aubrey F. G. In Portugal. London: Bodley Head, 1912.
       ■ Borrow, George. The Bible in Spain, 2 vols. London: Constable, 1923 ed.
       ■ Chaves, Castelo Branco. Os livros de viagens em Portugal no século XVIII e a sua projecção europeia. Lisbon, 1977.
       ■ Costigan, Arthur William. Sketches of Society and Manners in Portugal. London: T. Vernon, 1787.
       ■ Crawfurd, Oswald. Portugal Old and New. London: Kegan, Paul, 1880.
       ■. Round the Calendar in Portugal. London: Chapman & Hall, 1890.
       ■ Darymple, William. Travels through Spain and Portugal in 1774. London: J. Almon, 1777.
       ■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.
       ■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.
       ■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.
       ■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.
       ■ Gordon, Jan, and Cora Gordon. Portuguese Somersault. London: Harrap, 1934.
       ■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.
       ■ Huggett, Frank. South of Lisbon: Winter Travels in Southern Portugal. London: Gollancz, 1960.
       ■ Hume, Martin. Through Portugal. London: Richards, 1907.
       ■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.
       ■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.
       ■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.
       ■ Kempner, Mary Jean. Invitation to Portugal. New York: Athenaeum, 1969.
       ■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.
       ■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.
       ■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.
       ■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.
       ■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.
       ■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.
       ■ Merle, Iris. Portuguese Panorama. London: Ouzel, 1958.
       ■ Murphy, J. C. Travels in Portugal. London: 1795.
       ■ Proper, Datus C. The Last Old Place: A Search through Portugal. New York: Simon & Schuster, 1992.
       ■ Quillinan, Dorothy [Wordsworth]. Journal of a Few Months in Portugal with Glimpses of the South of Spain. 2 vol. London: Moxon, 1847. Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1954. Smith, Karine R. Until Tomorrow: Azores and Portugal. Snohomish, Wash.: Snohomish Publishing, 1978. Southey, Robert. Journals of a Residence in Portugal, 1800-1801 and a Visit to France, 1838. London and New York: Oxford Univ. Press, 1912. Thomas, Gordon Kent. Lord Byron's Iberian Pilgrimage. Provo, Utah: Brigham Young University Press, 1983. Twiss, Richard. Travels through Portugal and Spain in 1772-1773. London, 1775.
       ■ Watson, Gilbert. Sunshine and Sentiment in Portugal. London: Arnold, 1904. Wheeler, Douglas L. "A[n American] Fulbrighter in Lisbon, Portugal, 196162." Portuguese Studies Review 1 (1991): 9-16.
       ■ PORTUGUESE CARTOGRAPHY, DISCOVERIES, AND NAVIGATION
       ■ Albuquerque, Luís de. Curso de História de Naútica. Coimbra, 1972.
       ■. Introdução a história dos descobrimentos, 3rd ed. Mem Martins, 1983.
       ■. Os Descobrimentos Portugueses. Lisbon: Alfa, 1983.
       ■. Os Descobrimentos Portugueses. Lisbon, 1985.
       ■ Boorstin, Daniel. The Discoverers. New York: Random House, 1983. Boxer, C. R. The Portuguese Seaborne Empire, 1415-1825. London: Hutchinson, 1969.
       ■ Brazão, Eduardo. La découverte de Terre-Neuve. Montreal: Les Presses de l'Université, 1964.
       ■. "Les Corte-Real et le Nouveau Monde." Revue d'histoire d'Amérique Française 19, 1 (1965): 335-49. Cortesão, Armando, and Avelino Teixeira de Mota. Cartografia Portuguesa Antiga. Lisbon, 1960.
       ■. Portugalia Monumenta Cartográfica, 6 vols. Lisbon, 1960-62.
       ■. História da Cartografia Portuguesa, 2 vols. Coimbra, 1969-70.
       ■ Cortesão, Jaime. L'expansion des portugais dans l'historie de la civilisation. Brussels, 1930.
       ■. Os descobrimentos portugueses, 2 vols. V. Magalhães Godinho and Joel Serrão, eds. Lisbon, 1960.
       ■ Costa, Abel Fontoura da. A Marinharia dos Descobrimentos, 3rd ed. Lisbon, 1960.
       ■ Costa Brochado, Idalino F. Descobrimento do Atlântico. Lisbon, 1958. English ed., 1959-60.
       ■ Coutinho, Admiral Gago. A naútica dos descobrimentos, 2 vols. Lisbon, 1951-52.
       ■ Crone, G. R. Maps and Their Makers. New York: Capricorn Books, 1966.
       ■ Dias, José S. da Silva. Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.
       ■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.
       ■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.
       ■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]
       ■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.
       ■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.
       ■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.
       ■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.
       ■ Martyn, John R. C., ed. Pedro Nunes ( 1502-1578): His Lost Algebra and Other Discoveries. John R. C. Martyn, trans. New York: Peter Lang, 1996.
       ■ Morison, Samuel Eliot. The European Discovery of America: The Northern Voyages, A. D. 500-1600. New York: Oxford University Press, 1971.
       ■. Portuguese Voyages to America in the Fifteenth Century. Cambridge: Harvard University Press, 1974.
       ■ Mota, Avelino Teixeira da. Mar, Além-Mar-Estudos e Ensaios de História e Geografia. Lisbon, 1972.
       ■ Nemésio, Vitorino. Vida e Obra do Infante D. Henrique. Lisbon, 1959.
       ■ Parry, J. H. The Discovery of the Sea. New York: Dial, 1974.
       ■ Penrose, Boies. Travel and Discovery in the Renaissance, 1420-1620. Cambridge, Mass.: Harvard University Press, 1952.
       ■ Peres, Damião. História dos Descobrimentos Portugueses. Oporto, 1943.
       ■ Prestage, Edgar. The Portuguese Pioneers. London, 1933; New York: Barnes & Noble, 1967.
       ■ Rogers, Francis M. Precision Astrolabe: Portuguese Navigators and Transoceanic Aviation. Lisbon, 1971.
       ■ Seary, E. R. "The Portuguese Element in the Place Names of Newfoundland." In Luís Albuquerque, ed., Vice-Almirante A. Teixeira da Mota: In Memo-riam. Vol. II, 359-64. Lisbon: Academia da Marinha, 1989.
       ■ Subrahmanyam, Sanjay. The Career and Legend of Vasco Da Gama. Cambridge: Cambridge University Press, 1997.
       ■ Velho, Alvaro. Roteiro ( Navigator's Route) da Primeira Viagem de Vasco da Gama ( 1497-1499). Lisbon, 1960.
       ■ Winius, George, ed. Portugal, the Pathfinder: Journeys from the Medieval toward the Modern World 1300-ca. 1600. Madison, Wisc.: Hispanic Seminary of Medieval Studies, 1995.
       ■ PORTUGAL AND HER OVERSEAS EMPIRES (1415-1975)
       ■ Abshire, David M., and Michael A. Samuels, eds. Portuguese Africa: A Handbook. New York: Praeger, 1969.
       ■ Afonso, Aniceto, and Carlos de Matos Gomes. Guerra Colonial. Lisbon: Noticias, 2001.
       ■ Albuquerque, J. Moushino de. Moçambique. Lisbon, 1898.
       ■ Alden, Dauril. The Making of an Enterprise: The Society of Jesus in Portugal, Its Empire & Beyond. Stanford, Calif.: Stanford University Press, 1995.
       ■ Alexandre, Valentim. Orígens do Colonialismo Português Moderno ( 18221891). Lisbon: Sá da Costa, 1979.
       ■. Velho Brasil, Novas Africas: Portugal e o Império ( 1808-1975). Oporto: Afrontamento, 2000.
       ■, and Jill Dias, eds. "O Império Africano 1825-1890. Volume X." In J.
       ■ Serrão and A. H. de Oliveira Marques, eds., Nova História Da Expansão Portuguesa. Lisbon: Estampa, 1998.
       ■ Ames, Glen J. "The Carreira da India, 1668-1682: Maritime Enterprise and the Quest for Stability in Portugal's Asian Empire." Journal of European Economic History 20, 1 (1991): 7-28.
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       ■. Vasco da Gama. Renaissance Crusader. New York: Pearson/Longman, 2005.
       ■ Antunes, José Freire. O Império com Pés de Barro: Colonizaçao e Descolonização: As Ideologias em Portugal. Lisbon: D. Quixote, 1980.
       ■. O Factor Africano 1890-1990. Lisbon: Bertrand, 1990.
       ■. A Guerra De Africa 1961-1974, 2 vols. Lisbon: Círculo de Leitores, 1995-96.
       ■. Jorge Jardim: Agente Secreto 1919-1982. Lisbon: Bertrand, 1996.
       ■ Axelson, Eric A. South-East Africa, 1488-1530. London: Longmans, 1940.
       ■. "Prince Henry and the Discovery of the Sea Route to India." Geographical Journal (U.K.) 127, 2 (June 1961): 145-58.
       ■. Portugal and the Scramble for Africa, 1875-1891. Johannesburg: Witwaterstrand University Press, 1967.
       ■. Portuguese in South-East Africa, 1488-1699. Cape Town: Struik, 1973.
       ■. Congo to Cape: Early Portuguese Explorers. New York: Harper & Row, 1974.
       ■ Azevedo, Mário. Historical Dictionary of Mozambique, 2nd ed. Lanham, Md.: Scarecrow Press, 2003.
       ■ Baião, António, Hernãni Cidade, and Manuel Murias, eds. História da Expansão Portuguesa no Mundo, 4 vols. Lisbon, 1937-40.
       ■ Bender, Gerald J. "The Limits of Counterinsurgency [in the Angolan War, 1961-72]." Comparative Politics (1972): 331-60.
       ■. Angola under the Portuguese: The Myth Versus Reality. Berkeley: University of California Press, 1978.
       ■ Birmingham, David. The Portuguese Conquest of Angola. Oxford: Clarendon Press, 1965.
       ■. Trade and Conflict in Angola. Oxford: Clarendon Press, 1966.
       ■. Frontline Nationalism in Angola & Mozambique. London: James Currey, 1992.
       ■. Portugal and Africa. New York: St. Martins, 1999.
       ■ Bottineau, Yves. Le Portugal Et Sa Vocation Maritime. Paris: Boccard, 1977. Boxer, C. R. Fidalgos in the Far East Fact and Fancy in the History of Macau. Berkeley: University of California Press, 1948. ———. The Christian Century in Japan. Berkeley: University of California Press, 1951.
       ■ ———. Four Centuries of Portuguese Expansion, 1415-1825: A Succinct Survey. Johannesburg: Witwaterstrand University Press, 1961.
       ■ ———. The Golden Age of Brazil, 1695-1750. Berkeley: University of California Press, 1962.
       ■ Clarendon Press, 1963. ———. Portuguese Society in the Tropics. Madison: University of Wisconsin Press, 1965.
       ■ ———. The Portuguese Seaborne Empire 1415-1825. London: Hutchi nson, 1969.
       ■ ———, and Carlos de Azevedo, eds. Fort Jesus and the Portuguese in Mombasa. London: Hollis and Carter, 1960.
       ■ Broadhead, Susan H. Historical Dictionary of Angola, 2nd ed. Metuchen, N.J.: Scarecrow Press, 1992.
       ■ Burton, Richard. Goa and the Blue Mountains. London: Bentley, 1851.
       ■ Cabral, Luís. Crónica da Libertação. Lisbon, 1984.
       ■ Caetano, Marcello. Colonizing Traditions, Principles and Methods of the Portuguese. Lisbon, 1951.
       ■ ———. Portugal E A Internacionalização Dos Problemas Africanos, 3rd ed. Lisbon, 1965.
       ■ Cann, John P. Counterinsurgency in Africa: The Portuguese Way of War, 1961-1974. Westport, Conn.: Greenwood, 1997. Castelo, Claudia. " O modo portugues de estar no mundo." O luso-tropicalismo e a ideologia colonial portuguesa ( 1931-1961). Oporto: Afrontamento, 1998. Castro, Armando. O Sistema Colonial Português em Africa ( meados do Século XX). Lisbon, 1978.
       ■ Chaliand, Gerard. "The Independence of Guinea-Bissau and the Heritage of [Amilcar] Cabral." In Revolution in the Third World. Harmondsworth, U.K.: Penguin, 1978.
       ■ Chilcote, Ronald H. Portuguese Africa. Englewood Cliffs, N.J.: Prentice-Hall, 1967.
       ■ Clarence-Smith, Gervase. Slaves, Peasants and Capitalists in Southern Angola 1840-1926. Cambridge: Cambridge University Press, 1979.
       ■ ———. The Third Portuguese Empire 1825-1975: A Study in Economic Imperialism. Manchester, U.K.: Manchester University Press, 1985.
       ■ Coates, Timothy J. Convicts and Orphans: Forced and State-Sponsored Colonizers in the Portuguese Empire, 1550-1720. Stanford, Calif.: Stanford University Press, 2001.
       ■ Davies, Shann. Macau. Singapore: Times Editions, 1986.
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       ■ Diffie, Bailey W., and George Winius. Foundations of the Portuguese Empire, 1415-1580. Minneapolis: Minnesota University Press, 1977.
       ■ Disney, Anthony R. Twilight of the Pepper Empire: Portuguese Trade in Southwest India in the Early Seventeenth Century. Cambridge, Mass.: Harvard University Press, 1978.
       ■ ———, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.
       ■ Duffy, James. Shipwreck and Empire: Being an Account of Portuguese Maritime Disaster in a Century of Decline. Cambridge, Mass.: Harvard University Press, 1955.
       ■ ———. Portuguese Africa. Cambridge, Mass.: Harvard University Press, 1959. ———. Portugal in Africa. Cambridge, Mass.: Harvard University Press, 1962.
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       ■. História das Inquisições: Portugal, Espanha e Itália. Lisbon: Círculo de Leitores, 1994.
       ■ Braga, Maria Luísa. A Inquisição em Portugal na primeira metade do Séc. XVIII. Lisbon: Inst. Nacional de Investigação Científica, 1992.
       ■ Haliczer, Stephen, ed. Inquisition and Society in Early Modern Europe. London: Croom Helm, 1987.
       ■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. Reprint. New York: AMS Press, 1968.
       ■ Magalhães, Joaquim Romero. "Em Busca dos Tempos da Inquisição (15731615)." Revista de História das Ideias 9 (1987): 191-228.
       ■ Mea, Elvira Cunha Azevedo. A Inquisição de Coimbra no Século XVI. Oporto, 1989.
       ■ Mendonça, José Lourenço D. de, and António Joaquim Moreira. História da Inquisição em Portugal. Lisbon: Círculo de Leitores, 1980.
       ■ Novinsky, Anita, and Luísa M. Carneiro, eds. Inquisição: Ensaios sobre Mentalidade, Heresias e Arte. Rio de Janeiro: Expressão e Cultura, 1992.
       ■ Pereira, Isais da Rosa. Documentos para a história da Inquisição em Portugal. Lisbon, 1987.
       ■ Rego, Yvonne Cunha, ed. Feiticeiros, Profetas e Visionários: Textos Antigos Portugueses. Lisbon: Imprensa Nacional e Casa da Moeda, 1981.
       ■ Saraiva, António José. Inquisição e cristãos-novos. Lisbon: Estampa, 1985.
       ■ Walker, Timothy Dale. "Doctors, Folk Medicine and the Inquisition: The Repression of Popular Healing in Portugal during the Enlightenment Era." Ph.D. dissertation, Department of History, Boston University, 2001.
       ■ Literature in English Translation: Selection
       ■ Alcaforado, Mariana. The Letters of a Portuguese Nun ( Mariana Alcaforado). Edgar Prestage, trans. London: D. Nutt, 1893.
       ■ Andrade, Eugénio de. "White on White." Alexis Levitin, trans. Quarterly Review of Literature. Poetry Series VIII. Vol. 27. Princeton, N.J., 1987.
       ■. Another Name for Earth; O outro nome da terra. Alexis Levitin, trans. Ft. Bragg, Calif.: QED Press, 1997.
       ■ Andresen, Sophia de Mello Breyner. Marine Rose: Selected Poems. Ruth Fain-light, trans. Redding Ridge, Conn.: Swan Books, 1989.
       ■ Antunes, António Lobo. South of Nowhere. Elizabeth Lowe, trans. New York: Random House, 1983.
       ■. Fado Alexandrino. Gregory Rabassa, trans. New York: Grove Weidenfeld, 1990.
       ■. An Explanation of the Birds. Richard Zenith, trans. New York: Grove Weidenfeld, 1991.
       ■. Act of the Damned. New York: Grove Press, 1995.
       ■. The Natural Order of Things. New York: Grove Press, 2000.
       ■ Barreno, Maria Isabel, Maria Teresa Horta, and Maria Velho da Costa. The Three Marias: New Portuguese Letters. Helen R. Lane, trans. New York: Doubleday, 1975.
       ■ Bell, Aubrey F. G. Poems from the Portuguese ( with the Portuguese text). A.
       ■ Bell, trans. Oxford: Blackwell, 1913.
       ■ Camões, Luís de. The Lusiads of Luís de Camões. Leonard Bacon, trans. New York: Hispanic Society of America, 1950.
       ■. The Lusiads. William C. Atkinson, trans. Harmondsworth, U.K.: Penguin, 1952.
       ■. The Lusiads. Landeg White, trans. New York: Oxford University Press, 1997.
       ■ Castelo Branco, Camilo. Doomed Love ( A Family Memoir). Alice R. Clemente, trans Providence, R.I.: Gávea-Brown, 1995. Castro, José Maria Ferreira de. Emigrants. Dorothy Ball, trans. New York: Macmillan, 1962.
       ■. Jungle. Charles Duff, trans. New York: Viking, 1935.
       ■. The Mission. Ann Stevens, trans. London: Hamilton, 1963.
       ■ Dantas, Júlio. The Cardinals' Collation, 48th ed. A. Saintsbury, trans. London, 1962.
       ■ Dias de Melo. Dark Stones. Gregory McNab, trans. Providence, R.I.: Gávea-Brown, 1996.
       ■ Dinis, Júlio. The Fidalgos of Casa Mourisca. Rosanna Dabney, trans. Boston: D. Lothrop, 1891.
       ■ Garrett, Almeida. Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.
       ■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.
       ■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.
       ■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.
       ■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.
       ■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.
       ■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].
       ■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George
       ■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.
       ■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.
       ■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.
       ■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.
       ■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.
       ■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.
       ■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. Providence, R.I.: Gávea-Brown, 2000.
       ■ Paço D'Arcos, Joaquim. Memoirs of a Banknote. Robert Lyle, trans. London, 1968.
       ■ Pedroso, Consiglieri, comp. Portuguese Folk-Tales. Henriqueta Monteiro, trans. Reprint of orig. 1882 ed. New York: Benjamin Blom, 1969.
       ■ Pessoa, Fernando. Fernando Pessoa: Sixty Portuguese Poems. F. E. G. Quintanilha, ed. and trans. Cardiff: University of Wales Press, 1971.
       ■. Selected Poems: Fernando Pessoa. 2nd rev. ed. Jonathan Griffin, trans. Harmondsworth, U.K.: Penguin, 1982.
       ■. The Book of Disquiet. Alfred MacAdams, trans. New York: Pantheon, 1991.
       ■. Fernando Pessoa: Selected Poems. Peter Rickard, ed. and trans. Edinburgh, U.K.: Edinburgh University Press, 1991.
       ■. "The Mariner: A 'Static Drama' in One Act." In Translation: Portugal.
       ■ George Ritchie, et al., trans. The Journal of Literary Translation. Vol. XXV, 38-56. New York: Translation Center, Columbia University, 1991.
       ■. Message: Bilingual Edition. Jonathan Griffin, trans. London: Menard Press and King's College, 1992.
       ■ Pires, José Cardoso. Ballad of a Dog's Beach. Mary Fitton, trans. London: J. M. Dent, 1986.
       ■ Queirós, José Maria Eça de. Cousin Bazilio. Roy Campbell, trans. London: Max Reinhardt, 1953.
       ■. The Relic. Aubrey F. G. Bell, trans. London: Max Reinhardt, 1954.
       ■. The City and the Mountains. Roy Campbell, trans. London: Max Reinhardt, 1955.
       ■. The Sin of Father Amaro. Nan Flanagan, trans. London: Max Reinhardt, 1962.
       ■. The Maias. Patricia McGowan Pinheiro, trans. London: Bodley Head, 1965.
       ■. The Illustrious House of Ramires. Ann Stevens, trans. London: Bodley Head, 1968.
       ■. Letters from England. Ann Stevens, trans. London: Bodley Head, 1970.
       ■. To the Capital. John Vetch, trans. Manchester, U.K.: Carcanet, 1995.
       ■ Quental, Antero de. Sixty-four Sonnets. Edgar Prestage, trans. London: David Nutt, 1894.
       ■ Redol, Alves. The Man with Seven Names. L. L. Barrett, trans. New York: Knopf, 1964.
       ■ Resende, André de. André deResende's 'Poema Latina'/ 'Latinpoems.' J. C. R. Martyn, ed. and trans. Lewiston N.Y.: Lampeter and Edwin Mellen, 1998. Ribeiro, Aquilino. When the Wolves Howl. Patricia McGowan Pinheiro, trans. New York: Macmillan; London: Cape, 1963. Sá Carneiro, Mário de. The Great Shadow ( and Other Stories). Margaret Jull Costa, trans. Sawtry, U.K.: Dedalus, 1996. Santareno, Bernardo. The Promise. Nelson H. Vieira, trans. Providence, R.I.: Gávea-Brown, 1981.
       ■ Saramago, José. Baltasar and Blimunda. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1987.
       ■. The Stone Raft. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The Year of the Death of Ricardo Reis. Giovanni Pontiero, trans. New York: Harcourt, Brace, 1991.
       ■. The History of the Siege of Lisbon. Giovanni Pontiero, trans. New York: Harcourt Brace, 1996.
       ■. Blindness. New York: Harcourt, Brace, 1999.
       ■. Tale of the Unknown Island. New York: Harcourt Brace, 2000.
       ■. All the Names. Margaret Jull Costa, trans. New York: Harcourt, 2000.
       ■. Journey to Portugal. New York: Harcourt Brace, 2001.
       ■ Sena, Jorge de. The Poetry of Jorge de Sena: A Bilingual Selection. Frederick G. Williams et al., trans. Santa Barbara, Calif.: Mudborn Press, 1980.
       ■. By the Rivers of Babylon and Other Stories. New Brunswick, N.J.: Rutgers University Press, 1989.
       ■ Vicente, Gil. Four Plays of Gil Vicente: Edited from the Editio Princeps ( 1562). Aubrey F. G. Bell, ed. and trans. Cambridge: Cambridge University Press, 1920.
       ■. Lyrics of Gil Vicente. Aubrey F. G. Bell, trans. Oxford: Oxford University Press, Hispanic Notes and Monographs, Portuguese Series 1, 1921.
       ■. The Play of Rubena. Jack E. Tomlins, trans.; Rene P. Garay and José I. Suarez, eds. New York: National Hispanic Foundation for Humanities, 1993.
       ■. The Boat Plays. David Johnston, trans. and adaptation. London: Oberon, 1996.
       ■. Three Discovery Plays. Anthony Lappin, trans. Warminster, U.K.: Aris & Phillips, 1997.
       ■ Vieira, António. Dust Thou Art. Rev. W. Anderson, trans. London, 1882.
       ■ Portuguese and Portuguese-American Cooking: Cuisine
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       ■ Bourne, Ursula. Portuguese Cookery. Harmondsworth, U.K.: Penguin, 1973. Crato, Maria Helena Tavares. Cozinha Portuguesa I, II. Lisbon: Editorial Presença, 1978.
       ■ Dienhart, Miriam, and Anne Emerson, ed. Cooking in Portugal. Cascais: American Women of Lisbon, 1978.
       ■ Feibleman, Peter S. The Cooking of Spain and Portugal. New York: Time-Life Books; Foods of the World, 1969.
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       ■ Marques, Susan Lowndes. Good Food from Spain and Portugal. London: Muller, 1956.
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       ■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.
       ■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.
       ■ ECONOMY, INDUSTRY, AND DEVELOPMENT
       ■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.
       ■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.
       ■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.
       ■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.
       ■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.
       ■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.
       ■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.
       ■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.
       ■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.
       ■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.
       ■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.
       ■. "Coming Home: A Survey of Portugal." (May 28, 1988).
       ■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.
       ■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.
       ■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.
       ■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.
       ■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.
       ■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.
       ■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.
       ■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.
       ■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.
       ■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.
       ■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].
       ■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.
       ■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.
       ■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.
       ■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.
       ■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.
       ■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.
       ■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.
       ■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.
       ■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.
       ■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.
       ■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.
       ■ PHOTOGRAPHY ON PORTUGAL
       ■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.
       ■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.
       ■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.
       ■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.
       ■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.
       ■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.
       ■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.
       ■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.
       ■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.
       ■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.
       ■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.
       ■ EQUESTRIANISM
       ■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.
       ■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.
       ■ Horsetalk Magazine. Published in New Zealand.
       ■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.
       ■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,
       ■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.
       ■ Websites of interest: www.equestrian.pt portugalweb.com

    Historical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE

  • 11 Nazarro, Ray

    1902-1986
       Nacido en Boston, a Ray Nazarro se le asocia con dos criterios: Columbia Films, para la que hizo la mayor parte de sus peliculas, y rapidez, la que demostro entre 1945 y 1958, tiempo en que dirigio ochenta filmes, a un ritmo que en algunas temporadas supero el de uno al mes. A pesar de todo, sus westerns, que lo fueron la mayoria de sus peliculas, no resultaron nada desdenables por termino medio, mostrando una notable habilidad para desarrollar los argumentos que se le encomendaban, virtud que se agudiza en algunas de sus producciones de los anos 50. Aunque su primer largometraje es Outlaws of the Rockies, ya habia dirigido en 1932, en este caso peliculas de corta duracion. Termina su carrera en Europa.
        Outlaws of the Rockies. 1945. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Carole Mathews, Tex Harding, Dub Taylor.
        Song of the Prairie. 1945. 62 minutos. Blanco y Negro. Columbia. Ken Curtis, Guinn Williams, June Storey.
        Texas Panhandle. 1945. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Nanette Parks, Tex Harding, Dub Taylor.
        Roaring Rangers. 1946. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Adelle Roberts, Smiley Burnette.
        Throw a Saddle on a Star. 1946. 60 minutos. Blanco y Negro. Columbia. Ken Curtis, Guinn Williams, Adelle Roberts.
        Gunning for Vengeance. 1946. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Phyllis Adair, Smiley Burnette.
        Galloping Thunder. 1946. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Adelle Roberts, Smiley Burnette.
        That Texas Jamboree. 1946. 59 minutos. Blanco y Negro. Columbia. Ken Curtis, Guinn Williams, Carolina Cotton.
        Two-Fisted Stranger. 1946. 50 minutos. Blanco y Negro. Columbia. Charles Starrett, Doris Houck, Smiley Burnette.
        The Desert Horseman. 1946. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Adelle Roberts, Smiley Burnette.
        Cowboy Blues. 1946. 62 minutos. Blanco y Negro. Columbia. Ken Curtis, Guy Kibbee, Guinn Williams, Carolina Cotton.
        Heading West. 1946. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Doris Houck, Smiley Burnette.
        Singing on the Trail. 1946. 60 minutos. Blanco y Negro. Columbia. Ken Curtis, Guy Kibbee, Guinn Williams, Rita Hayworth.
        Terror Trail. 1946. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Barbara Pepper, Smiley Burnette.
        Lone Star Moonlight. 1946. 67 minutos. Blanco y Negro. Columbia. Ken Curtis, Joan Barton, Guy Kibbee, Claudia Drake.
        Over the Santa Fe Trail. 1947. 63 minutos. Blanco y Negro. Columbia. Ken Curtis, Jennifer Holt, Guinn Williams, Guy Kibbee.
        The Lone Hand Texan. 1947. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette, Mary Newton.
        West of Dodge City. 1947. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Nancy Saunders, Smiley Burnette.
        Law of the Canyon. 1947. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Nancy Saunders, Smiley Burnette.
        Buckaroo from Powder River. 1947. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Eve Miller, Smiley Burnette.
        Last Days of Boot Hill. 1947. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Virginia Hunter, Smiley Burnette.
        Six-Gun Law. 1948. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Nancy Saunders, Smiley Burnette.
        Phantom Valley. 1948. 53 minutos. Blanco y Negro. Columbia. Charles Starrett, Virginia Hunter, Smiley Burnette.
        West of Sonora. 1948. 52 minutos. Blanco y Negro. Columbia. Charles Starrett, Anita Castle, Smiley Burnette.
        Song of Idaho. 1948. 69 minutos. Blanco y Negro. Columbia. Kirby Grant, June Vincent.
        Blazing Across the Pecos. 1948. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Patricia White, Smiley Burnette.
        Trail to Laredo. 1948. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Virginia Maxey, Smiley Burnette.
        Singin’ Spurs. 1948. 62 minutos. Blanco y Negro. Columbia. Kirby Grant, Jay Silverheels, Patricia Knox.
        El Dorado Pass. 1948. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Elena Verdugo, Smiley Burnette.
        Quick of the Trigger. 1948. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Helen Parrish, Smiley Burnette.
        Smoky Mountain Melody. 1948. 61 minutos. Blanco y Negro. Columbia. Roy Acuff, Guinn Williams, Sybil Merritt.
        Challenge of the Range. 1949. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Paula Raymond, Smiley Burnette.
        Home in San Antone. 1949. 62 minutos. Blanco y Negro. Columbia. Roy Acuff, Jacqueline Thomas.
        Arkansas Swing. 1949. 62 minutos. Blanco y Negro. Columbia. Gloria Henry, Ken Triesch, Paul Triesch.
        Laramie. 1949. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette, Marjorie Stapp.
        The Blazing Trail. 1949. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Marjorie Stapp, Smiley Burnette.
        South of Death Valley. 1949. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Gail Davis, Smiley Burnette.
        Bandits of El Dorado. 1949. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        Renegades of the Sage. 1949. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Leslie Banning, Smiley Burnette.
        Trail of the Rustlers. 1950. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Gail Davis, Smiley Burnette.
        The Palomino. 19450. 73 minutos. Technicolor. Columbia. Jerome Courtland, Beverly Tyler.
        Outcasts of Black Mesa. 1950. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Martha Hyer, Smiley Burnette.
        Texas Dynamo. 1950. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Lois Hall, Smiley Burnette.
        Hoedown. 1950. 64 minutos. Blanco y Negro. Columbia. Eddy Arnold, Jock Mahoney, Carolina Cotton.
        Streets of Ghost Town. 1950. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Mary Ellen Kay, Smiley Burnette.
        Frontier Outpost. 1950. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Lois Hall, Smiley Burnette.
        Al Jennings of Oklahoma. 1951. 79 minutos. Technicolor. Columbia. Dan Duryea, Gale Storm, Dick Foran.
        Fort Savage Raiders. 1951. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        Cyclone Fury. 1951. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        The Kid from Amarillo. 1951. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        Indian Uprising. 1952. 75 minutos. Supercinecolor. Columbia. George Montgomery, Audrey Long.
        Laramie Mountains. 1952. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Smiley Burnette.
        Montana Territory. 1952. 64 minutos. Technicolor. Columbia. Lon McCallister, Preston Foster, Wanda Hendrix.
        The Rough Tough West. 1952. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Carolina Cotton, Smiley Burnette.
        Cripple Creek. 1952. 78 minutos. Technicolor. Columbia. George Montgomery, Karin Booth, Richard Egan.
        Junction City. 1952. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Kathleen Case, Smiley Burnette.
        Kansas Pacific. 1953. 73 minutos. Cinecolor. Allied. Sterling Hayden, Eve Miller, Barton MacLane.
        Gun Belt. 1953. 77 minutos. Technicolor. Global (UA). George Montgo mery, Tab Hunter, Helen Westcott.
        The Lone Gun. 1954. 73 minutos. Color Corp. of America. Superior Talking (UA). George Montgomery, Dorothy Malone.
        Southwest Passage (Travesia del desierto). 1954. 82 minutos. Pathe color. 3-D. Small (UA). John Ireland, Joanne Dru, Rod Cameron.
        The Black Dakotas. 1954. 65 minutos. Technicolor. Columbia. Gary Merrill, Wanda Hendrix, John Bromfield.
        Top Gun. 1955. 73 minutos. Blanco y Negro. UA. Sterling Hayden, William Bishop, Karen Booth.
        The White Squaw. 1956. 73 minutos, Blanco y Negro. Screem Gems (Columbia). David Brian, May Wynn.
        The Phantom Stagecoach. 1957. 79 minutos. Blanco y Negro. Screem Gems (Columbia). William Bishop, Kathleen Crowley.
        The Hired Gun. 1957. 63 minutos. Blanco y Negro. CinemaScope. Rorvic (MGM). Rory Calhoun, Anne Francis.
        Domino Kid. 1957. 74 minutos. Blanco y Negro. Rorvic (Columbia). Rory Calhoun, Kristine Miller.
        Return to Warbow. 1958. 67 minutos. Technicolor. Screem Gems (Colum bia). Philip Carey, Catherine McLeod.
        Apache Territory. 1958. 75 minutos. Technicolor. Rorvic (Columbia). Rory Calhoun, John Dehner, Barbara Bates.

    English-Spanish dictionary of western films > Nazarro, Ray

  • 12 БИБЛИОГРАФИЯ

    Мы приняли следующие сокращения для наиболее часто упоминаемых книг и журналов:
    IJP - International Journal of Psycho-analysis
    JAPA - Journal of the American Psychoanalytic Association
    SE - Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. James Strachey (London: Hogarth Press and the Institute of Psycho-Analysis, 1953—74.)
    PSOC - Psychoanalytic Study of the Child (New Haven: Yale University Press)
    PQ - Psychoanalytic Quarterly
    WAF - The Writings of Anna Freud, ed. Anna Freud (New York: International Universities Press, 1966—74)
    PMC - Psychoanalysis The Major Concepts ed. Burness E. Moore and Bernard D. Fine (New Haven: Yale University Press)
    \
    О словаре: _about - Psychoanalytic Terms and Concepts
    \
    1. Abend, S. M. Identity. PMC. Forthcoming.
    2. Abend, S. M. (1974) Problems of identity. PQ, 43.
    3. Abend, S. M., Porder, M. S. & Willick, M. S. (1983) Borderline Patients. New York: Int. Univ. Press.
    4. Abraham, K. (1916) The first pregenital stage of libido. Selected Papers. London, Hogarth Press, 1948.
    5. Abraham, K. (1917) Ejaculatio praecox. In: selected Papers. New York Basic Books.
    6. Abraham, K. (1921) Contributions to the theory of the anal character. Selected Papers. New York: Basic Books, 1953.
    7. Abraham, K. (1924) A Short study of the development of the libido, viewed in the light of mental disorders. In: Selected Papers. London: Hogarth Press, 1927.
    8. Abraham, K. (1924) Manic-depressive states and the pre-genital levels of the libido. In: Selected Papers. London: Hogarth Press, 1949.
    9. Abraham, K. (1924) Selected Papers. London: Hogarth Press, 1948.
    10. Abraham, K. (1924) The influence of oral erotism on character formation. Ibid.
    11. Abraham, K. (1925) The history of an impostor in the light of psychoanalytic knowledge. In: Clinical Papers and Essays on Psychoanalysis. New York: Basic Books, 1955, vol. 2.
    12. Abrams, S. (1971) The psychoanalytic unconsciousness. In: The Unconscious Today, ed. M. Kanzer. New York: Int. Univ. Press.
    13. Abrams, S. (1981) Insight. PSOC, 36.
    14. Abse, D W. (1985) The depressive character In Depressive States and their Treatment, ed. V. Volkan New York: Jason Aronson.
    15. Abse, D. W. (1985) Hysteria and Related Mental Disorders. Bristol: John Wright.
    16. Ackner, B. (1954) Depersonalization. J. Ment. Sci., 100.
    17. Adler, A. (1924) Individual Psychology. New York: Harcourt, Brace.
    18. Akhtar, S. (1984) The syndrome of identity diffusion. Amer. J. Psychiat., 141.
    19. Alexander, F. (1950) Psychosomatic Medicine. New York: Norton.
    20. Allen, D. W. (1974) The Feat- of Looking. Charlottesvill, Va: Univ. Press of Virginia.
    21. Allen, D. W. (1980) Psychoanalytic treatment of the exhibitionist. In: Exhibitionist, Description, Assessment, and Treatment, ed. D. Cox. New York: Garland STPM Press.
    22. Allport, G. (1937) Personality. New York: Henry Holt.
    23. Almansi, R. J. (1960) The face-breast equation. JAPA, 6.
    24. Almansi, R. J. (1979) Scopophilia and object loss. PQ, 47.
    25. Altman, L. Z. (1969) The Dream in Psychoanalysis. New York: Int. Univ. Press.
    26. Altman, L. Z. (1977) Some vicissitudes of love. JAPA, 25.
    27. American Psychiatric Association. (1987) Diagnostic and Statistical Manual of Mental Disorders, 3d ed. revised. Washington, D. C.
    28. Ansbacher, Z. & Ansbacher, R. (1956) The Individual Psychology of Alfred Adler. New York: Basic Books.
    29. Anthony, E. J. (1981) Shame, guilt, and the feminine self in psychoanalysis. In: Object and Self, ed. S. Tuttman, C. Kaye & M. Zimmerman. New York: Int. Univ. Press.
    30. Arlow. J. A. (1953) Masturbation and symptom formation. JAPA, 1.
    31. Arlow. J. A. (1959) The structure of the deja vu experience. JAPA, 7.
    32. Arlow. J. A. (1961) Ego psychology and the study of mythology. JAPA, 9.
    33. Arlow. J. A. (1963) Conflict, regression and symptom formation. IJP, 44.
    34. Arlow. J. A. (1966) Depersonalization and derealization. In: Psychoanalysis: A General Psychology, ed. R. M. Loewenstein, L. M. Newman, M. Schur & A. J. Solnit. New York: Int. Univ. Press.
    35. Arlow. J. A. (1969) Fantasy, memory and reality testing. PQ, 38.
    36. Arlow. J. A. (1969) Unconscious fantasy and disturbances of mental experience. PQ, 38.
    37. Arlow. J. A. (1970) The psychopathology of the psychoses. IJP, 51.
    38. Arlow. J. A. (1975) The structural hypothesis. PQ, 44.
    39. Arlow. J. A. (1977) Affects and the psychoanalytic situation. IJP, 58.
    40. Arlow. J. A. (1979) Metaphor and the psychoanalytic situation. PQ, 48.
    41. Arlow. J. A. (1979) The genesis of interpretation. JAPA, 27 (suppl.).
    42. Arlow. J. A. (1982) Problems of the superego concept. PSOC, 37.
    43. Arlow. J. A. (1984) Disturbances of the sense of time. PQ, 53.
    44. Arlow. J. A. (1985) Some technical problems of countertransference. PQ, 54.
    45. Arlow, J. A. & Brenner, C. (1963) Psychoanalytic Concepts and the Structural Theory, New York: Int. Univ. Press.
    46. Arlow, J. A. & Brenner, C. (1969) The psychopathology of the psychoses. IJP, 50.
    47. Asch, S. S. (1966) Depression. PSOC, 21.
    48. Asch, S. S. (1976) Varieties of negative therapeutic reactions and problems of technique. JAPA, 24.
    49. Atkins, N. (1970) The Oedipus myth. Adolescence, and the succession of generations. JAPA, 18.
    50. Atkinson, J. W. & Birch, D. (1970) The Dynamics of Action. New York: Wiley.
    51. Bachrach, H. M. & Leaff, L. A. (1978) Analyzability. JAPA, 26.
    52. Bacon, C. (1956) A developmental theory of female homosexuality. In: Perversions,ed, S. Lorand & M. Balint. New York: Gramercy.
    53. Bak, R. C. (1953) Fetishism. JAPA. 1.
    54. Bak, R. C. (1968) The phallic woman. PSOC, 23.
    55. Bak, R. C. & Stewart, W. A. (1974) Fetishism, transvestism, and voyeurism. An American Handbook of Psychiatry, ed. S. Arieti. New York: Basic Books, vol. 3.
    56. Balint, A. (1949) Love for mother and mother-love. IJP, 30.
    57. Balter, L., Lothane, Z. & Spencer, J. H. (1980) On the analyzing instrument, PQ, 49.
    58. Basch, M. F. (1973) Psychoanalysis and theory formation. Ann. Psychoanal., 1.
    59. Basch, M. F. (1976) The concept of affect. JAPA, 24.
    60. Basch, M. F. (1981) Selfobject disorders and psychoanalytic theory. JAPA, 29.
    61. Basch, M. F. (1983) Emphatic understanding. JAPA. 31.
    62. Balldry, F. Character. PMC. Forthcoming.
    63. Balldry, F. (1983) The evolution of the concept of character in Freud's writings. JAPA. 31.
    64. Begelman, D. A. (1971) Misnaming, metaphors, the medical model and some muddles. Psychiatry, 34.
    65. Behrends, R. S. & Blatt, E. J. (1985) Internalization and psychological development throughout the life cycle. PSOC, 40.
    66. Bell, A. (1961) Some observations on the role of the scrotal sac and testicles JAPA, 9.
    67. Benedeck, T. (1949) The psychosomatic implications of the primary unit. Amer. J. Orthopsychiat., 19.
    68. Beres, C. (1958) Vicissitudes of superego functions and superego precursors in childhood. FSOC, 13.
    69. Beres, D. Conflict. PMC. Forthcoming.
    70. Beres, D. (1956) Ego deviation and the concept of schizophrenia. PSOC, 11.
    71. Beres, D. (1960) Perception, imagination and reality. IJP, 41.
    72. Beres, D. (1960) The psychoanalytic psychology of imagination. JAPA, 8.
    73. Beres, D. & Joseph, E. D. (1965) Structure and function in psychoanalysis. IJP, 46.
    74. Beres, D. (1970) The concept of mental representation in psychoanalysis. IJP, 51.
    75. Berg, M D. (1977) The externalizing transference. IJP, 58.
    76. Bergeret, J. (1985) Reflection on the scientific responsi bilities of the International Psychoanalytical Association. Memorandum distributed at 34th IPA Congress, Humburg.
    77. Bergman, A. (1978) From mother to the world outside. In: Grolnick et. al. (1978).
    78. Bergmann, M. S. (1980) On the intrapsychic function of falling in love. PQ, 49.
    79. Berliner, B. (1966) Psychodynamics of the depressive character. Psychoanal. Forum, 1.
    80. Bernfeld, S. (1931) Zur Sublimierungslehre. Imago, 17.
    81. Bibring, E. (1937) On the theory of the therapeutic results of psychoanalysis. IJP, 18.
    82. Bibring, E. (1941) The conception of the repetition compulsion. PQ, 12.
    83. Bibring, E. (1953) The mechanism of depression. In: Affective Disorders, ed. P. Greenacre. New York: Int. Univ. Press.
    84. Bibring, E. (1954) Psychoanalysis and the dynamic psychotherapies. JAPA, 2.
    85. Binswanger, H. (1963) Positive aspects of the animus. Zьrich: Spring.
    86. Bion Francesca Abingdon: Fleetwood Press.
    87. Bion, W. R. (1952) Croup dynamics. IJP, 33.
    88. Bion, W. R. (1961) Experiences in Groups. London: Tavistock.
    89. Bion, W. R. (1962) A theory of thinking. IJP, 40.
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    851. Waelder, R. (1930) The principle of multiple function. PQ, 5.
    852. Waelder, R. (1962) Book review of Psychoanalysis, Scientific Method and Philosophy, ed. S. Hook. JAPA, 10.
    853. Waelder, R. (1962) Psychoanalysis scientific method, and philosophy. JAPA, 10.
    854. Waelder, R. (1963) Psychic determinism and the possibility of prediction. PQ, 32.
    855. Waelder, R. (1967) Trauma and the variety of extraordinary challenges. In: Fuest (1967).
    856. Waelder, R. (1967) Inhibitions, symptoms and anxiety: forty years later. PQ, 36.
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    865. Wangh, M. (1979) Some psychoanalytic observations on boredom. IJP, 60.
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    Словарь психоаналитических терминов и понятий > БИБЛИОГРАФИЯ

  • 13 feature

    'fi: ə
    1. noun
    1) (a mark by which anything is known; a quality: The use of bright colours is one of the features of her painting.) característica
    2) (one of the parts of one's face (eyes, nose etc): She has very regular features.) rasgo
    3) (a special article in a newspaper: `The Times' is doing a feature on holidays.) crónica, artículo de fondo
    4) (the main film in a cinema programme etc: The feature begins at 7.30; (also adjective) a feature film.) largometraje

    2. verb
    (to give or have a part (especially an important one): That film features the best of the British actresses.) figurar, representar
    feature n característica
    tr['fiːʧəSMALLr/SMALL]
    1 (of face) rasgo, facción nombre femenino
    2 (characteristic) rasgo, característica, aspecto
    3 (press) artículo especial, especial nombre masculino
    1 (have) tener; (film) tener como protagonista
    1 (appear) figurar (in, en)
    \
    SMALLIDIOMATIC EXPRESSION/SMALL
    feature ['fi:ʧər] v, - tured ; - turing vt
    1) imagine: imaginarse
    2) present: presentar
    : figurar
    1) characteristic: característica f, rasgo m
    2) : largometraje m (en el cine), artículo m (en un periódico), documental m (en la televisión)
    3) features npl
    : rasgos mpl, facciones fpl
    delicate features: facciones delicadas
    n.
    utilidad (Informática) s.f.
    n.
    característica s.f.
    facción s.f.
    rasgo s.m.
    v.
    delinear v.
    destacar v.
    ofrecer v.
    representar v.
    'fiːtʃər, 'fiːtʃə(r)
    I
    1)
    a) ( of face) rasgo m

    features — rasgos, facciones fpl

    b) (of character, landscape, style) característica f, rasgo m (distintivo)

    to make a feature of something — destacar* algo, hacer* resaltar algo

    c) (of machine, book) característica f
    2)
    a) feature (film) película f
    b) ( Journ) artículo m; (before n)

    feature writernoun articulista mf

    c) (Rad, TV) documental m
    3) ( incentive to buy) (AmE) oferta f

    II
    1.
    1)
    a) ( Journ)

    he was featured in `The Globe' recently — `The Globe' publicó un artículo sobre él hace poco

    b) ( Cin)

    the film features her as... — en la película aparece en el papel de...

    2)
    a) ( have as feature) \<\<hotel/house\>\> ofrecer*
    b) ( depict) mostrar*

    2.
    vi
    a) ( appear) figurar
    b) ( Cin) aparecer*, actuar*
    ['fiːtʃǝ(r)]
    1. N
    1) [of face] rasgo m

    featuresrasgos mpl, facciones fpl

    2) [of countryside, building] característica f
    3) (Comm, Tech) elemento m, rasgo m
    4) (Theat) número m ; (Cine) película f
    5) (Press) artículo m de fondo
    6) (Ling) (also: distinctive feature) rasgo m distintivo
    2. VT
    1) [+ actor, news] presentar; [+ event] ocuparse de, enfocar; (in paper etc) presentar

    a film featuring Garbo as... — una película que presenta a la Garbo en el papel de...

    2) (=be equipped with) [machine] estar provisto de, ofrecer
    3. VI

    it featured prominently in... — tuvo un papel destacado en...

    2) (Cine) figurar, aparecer (in en)
    4.
    CPD

    feature article Nartículo m de fondo

    feature film N(película f de) largometraje m

    features editor Nredactor(a) m / f (jefe) de reportajes

    feature writer Narticulista mf, cronista mf

    * * *
    ['fiːtʃər, 'fiːtʃə(r)]
    I
    1)
    a) ( of face) rasgo m

    features — rasgos, facciones fpl

    b) (of character, landscape, style) característica f, rasgo m (distintivo)

    to make a feature of something — destacar* algo, hacer* resaltar algo

    c) (of machine, book) característica f
    2)
    a) feature (film) película f
    b) ( Journ) artículo m; (before n)

    feature writernoun articulista mf

    c) (Rad, TV) documental m
    3) ( incentive to buy) (AmE) oferta f

    II
    1.
    1)
    a) ( Journ)

    he was featured in `The Globe' recently — `The Globe' publicó un artículo sobre él hace poco

    b) ( Cin)

    the film features her as... — en la película aparece en el papel de...

    2)
    a) ( have as feature) \<\<hotel/house\>\> ofrecer*
    b) ( depict) mostrar*

    2.
    vi
    a) ( appear) figurar
    b) ( Cin) aparecer*, actuar*

    English-spanish dictionary > feature

  • 14 Newfield, Sam

    1899-1964
       Nacido Samuel Neufeld, hermano de Sigmund Neufeld, futuro jefe de produccion de PRC, dirige cortometrajes desde 1926, y largometrajes desde 1933. Probablemente el mas prolifico realizador norteamericano de la era sonora, dirigio, sobre todo, westerns. Por sus manos paso una parte importante de los viejos heroes del genero, en peliculas de una hora de duracion y argumentos eternamente repetidos. Solo leer su filmografia produce cierto vertigo. Establecerla rigurosamente es una tarea ardua, especialmente en lo relativo al orden cronologico estricto, por lo que en esta ocasion mas que en ninguna otra hay que entender que ese orden es susceptible de correccion. Utiliza los seudonimos de Peter Stewart y Sherman Scott. Se ha prescindido de tres aparentes largometrajes, situados al final de su carrera y obtenidos, cada uno de ellos, por super posicion de dos episodios del serial televisivo “Hawkeye and the Last of the Mohicans”. Aunque el nivel medio de los filmes de Sam Newfeld es realmente bajo, hay que citar dos curiosidades: Harlem on the Prairie (1937) esta interpretado integramente por negros, y The Terror of Tiny Town (1938), por enanos, que se mueven en decorados de tamano normal.
        Undercover Men. 1935. 60 minutos. Blanco y Negro. Dominion. Charles Starrett, Adrienne Dore.
        Northern Frontier. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Eleanor Hunt, LeRoy Mason.
        Code of the Mounted (Fiel a su consigna). 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lilian Miles, Robert Warwick.
        Branded a Coward (El botin del rancho). 1935. 57 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Billie Seward, Syd Taylor.
        Trails of the Wild. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Billie Seward, Fuzzy Knight.
        Timber War. 1935. 60 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Lucille Lund, Lawrence Gray.
        Bulldog Courage. 1935. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury.
        Roarin’ Guns. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Rosalinda Rice, Rex Lease.
        Border Caballero. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Ralph Byrd.
        Lightnin’ Bill Carson. 1936. 57 minutos. Blanco y Negro. Puritan. Tim McCoy, Lois January, Rex Lease.
        Aces and Eights. 1936. 62 minutos. Blanco y Negro. Puritan. Tim McCoy, Luana Walters, Rex Lease.
        The Lion’s Den. 1936. 59 minutos. Blanco y Negro. Puritan. Tim McCoy, Joan Woodbury, Don Barclay.
        Ghost Patrol. 1936. 60 minutos. Blanco y Negro. Puritan. Tim McCoy, Claudia Dell, Walter Miller.
        The Traitor. 1936. 56 minutos. Blanco y Negro. Puritan. Tim McCoy, Frances Grant, Wally Wales.
        Roarin’ Lead (co-d.: Mack V. Wright). 1936. 57 minutos. Blanco y Negro. Republic. Bob Livingston, Ray Corrigan, Max Terhune, Christine Maple.
        Stormy Trails. 1936. 58 minutos. Blanco y Negro. Colony (Grand National). Rex Bell, Lois Wilde, Lane Chandler.
        The Gambling Terror. 1937. 53 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Horace Murphy.
        Lightnin’ Crandall. 1937. 60 minutos. Blanco y Negro. Republic. Bob Steele, Lois January, Frank LaRue.
        Trail of Vengeance. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith.
        Melody of the Plains. 1937. 55 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Louise Small.
        Bar-Z Bad Men. 1937. 57 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Lois January.
        Guns in the Dark. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Syd Saylor.
        Gun Lords of Stirrup Basin. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Frank LaRue.
        A Lawman Is Born. 1937. 58 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Iris Meredith, Al St. John.
        Doomed at Sundown. 1937. 53 minutos. Blanco y Negro. Republic. Bob Steele, Lorraine Randall.
        Boothill Brigade. 1937. 56 minutos. Blanco y Negro. Republic. Johnny Mack Brown, Claire Rochelle, Horace Murphy.
        Arizona Gunfighter. 1937. 58 minutos. Blanco y Negro. Republic. Bob Steele, Jean Carmen, Ted Adams.
        Ridin’ the Lone Trail. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Claire Rochelle, Charles King.
        Moonlight on the Range. 1937. 52 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Lois January.
        The Fighting Deputy. 1937. 57 minutos. Blanco y Negro. Spectrum. Fred Scott, Al St. John, Marjorie Beebe.
        The Colorado Kid. 1937. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.
        Harlem on the Prairie (co-d.: Jed Buell). 1937. 55 minutos. Blanco y Negro. Associated. Herbert Jeffries, Connie Harris.
        Paroled To Die. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Kathleen Eliot, Karl Hackett.
        The Ranger’s Roundup. 1938. 55 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Christine McIntyre.
        Thunder in the Desert. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Don Barclay.
        Code of the Rangers. 1938. 56 minutos. Blanco y Negro. Concord (Monogram). Tim McCoy, Judith Ford, Rex Lease.
        The Feud Maker. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Karl Hackett.
        Knights of the Plains (Allende Rio Grande). 1938. 57 min. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Marion Weldon.
        Songs and Bullets. 1938. 58 minutos. Blanco y Negro. Spectrum (Stan Laurel Prod.) Fred Scott, Al St. John, Alice Ardell.
        Gunsmoke Trail. 1938. 57 minutos. Blanco y Negro. Concord (Monogram). Jack Randall, Louise Stanley, Al St. John.
        Phantom Ranger. 1938. 54 minutos. Blanco y Negro. Concord (Mono gram). Tim McCoy, Suzanne Kaaren.
        Desert Patrol. 1938. 56 minutos. Blanco y Negro. Republic. Bob Steele, Marion Weldon, Rex Lease.
        Durango Valley Raiders. 1938. 55 minutos. Blanco y Negro. Republic. Bob Steele, Louise Stanley, Karl Hackett.
        Frontier Scout. 1938. 61 minutos. Blanco y Negro. Fine Arts (Grand Natio nal). George Houston, Al St. John, Beth Marion.
        Lightning Carson Rides Again. 1938. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Six-Gun Trail. 1938. 59 minutos. Blanco y Negro. Victory. Tim McCoy, Nora Lane, Ben Corbett.
        The Terror of Tiny Town. 1938. 62 minutos. Blanco y Negro. Principal (Co lumbia). Billy Curtis, Little Billy Rhodes, Nita Krebs, Yvonne Moray.
        Trigger Pals. 1939. 60 minutos. Blanco y Negro. Cinemart (Grand Natio nal). Art Jarrett, Lee Powell, Dorothy Faye, Al St. John.
        Six-Gun Rhythm. 1939. 55 minutos. Blanco y Negro. Arcadia (Grand National). Tex Fletcher, Joan Barclay, Ralph Peters.
        Code of the Cactus. 1939. 56 minutos. Blanco y Negro. Victory. Tim McCoy, Dorothy Short, Ben Corbett.
        Texas Wildcats. 1939. 57 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Outlaw’s Paradise. 1939. 62 minutos. Blanco y Negro. Victory. Tim McCoy, Joan Barclay, Ben Corbett.
        Straight Shooter. 1939. 54 minutos. Blanco y Negro. Victory. Tim McCoy, Julie Sheldon, Ben Corbett.
        Fighting Renegade. 1939. 58 minutos. Blanco y Negro. Victory. Tim McCoy, Joyce Bryant, Ben Corbett.
        Trigger Fingers. 1939. 60 minutos. Blanco y Negro. Victory. Tim McCoy, Jill Martin (Harley Wood), Ben Corbett.
        Fighting Mad. 1939. 60 minutos. Blanco y Negro. Monogram. James Newill, Sally Blane, Benny Rubin, Dave O’Brien.
        Flaming Lead. 1939. 57 minutos. Blanco y Negro. Colony. Ken Maynard, Eleanor Stewart, Dave O’Brien.
        The Sagebrush Family Trails West (Peter Stewart). 1940. 60 minutos. Blanco y Negro. PRC. Bobby Clark, Nina Guilbert, Earle Hodgins.
        Texas Renegades (Peter Stewart). 1940. 59 minutos. Blanco y Negro. PRC. Tim McCoy, Nora Lane, Harry Harvey.
        Death Rides the Range. 1940. 58 minutos. Blanco y Negro. Colony. Ken Maynard, Fay McKenzie, Raph Peters.
        Frontier Crusader (Peter Stewart). 1940. 62 minutos. Blanco y Negro. PRC. Tim McCoy, Dorothy Short, Lou Fulton.
        Billy the Kid Outlawed (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Louise Currie.
        Gun Code (Peter Stewart). 1940. 54 minutos. Blanco y Negro. PRC. Tim McCoy, Inna Gest, Lou Fulton.
        Marked Men (Sherman Scott). 1940. 66 minutos. Blanco y Negro. PRC. Warren Hull, Isabel Jewell.
        Arizona Gang Busters (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Lou Fulton.
        Billy the Kid in Texas (Peter Stewart). 1940. 52 minutos. Blanco y Negro. PRC. Bob Steele, Terry Walker, Al St. John.
        Riders of Black Mountain (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Tim McCoy, Pauline Haddon, Ralph Peters, Rex Lease.
        Billy the Kid’s Gun Justice (Peter Stewart). 1940. 57 minutos. Blanco y Negro. PRC. Bob Steele, Louise Currie, Al St. John.
        The Lone Rider Rides On. 1941. 61 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.
        Billy the Kid’s Range War (Peter Stewart). 1941. 57 minutos. Blanco y Negro. PRC. Bob Steele, Joan Barclay, Al St. John.
        The Lone Rider Crosses the Rio/Across the Border. 1941. 63 minutos. Blanco y Negro. PRC. George Houston, Roquell Verrin, Al St. John.
        Outlaws of the Rio Grande (Peter Stewart). 1941. 63 minutos. Blanco y Negro. PRC. Tim McCoy, Virginia Carpenter, Ralph Peters.
        Billy the Kid’s Fighting Pals (Sherman Scott). 1941. 62 minutos. Blanco y Negro. PRC. Bob Steele, Phyllis Adair, Al St. John.
        The Lone Rider in Ghost Town. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Alaine Brandes, Al St. John.
        Billy the Kid in Santa Fe (Sherman Scott). 1941. 66 minutos. Blanco y Negro. PRC. Bob Steele, Al St. John, Rex Lease.
        The Texas Marshal (Paul Stewart). 1941. 58 minutos. Blanco y Negro. PRC. Tim McCoy, Kay Leslie, Art Davis, Dave O’Brien.
        The Lone Rider in Frontier Fury. 1941. 62 minutos. Blanco y Negro. PRC. George Houston, Hillary Brooke, Al St. John.
        The Lone Rider Ambushed. 1941. 67 minutos. Blanco y Negro. PRC. George Houston, Maxine Leslie, Al St. John.
        Billy the Kid Wanted (Sherman Scott). 1941. 64 minutos. Blanco y Negro. PRC. Buster Crabbe, Choti Sherwood, Al St. John.
        The Lone Rider Fights Back. 1941. 64 minutos. Blanco y Negro. PRC. George Houston, Dorothy Short, Al St. John.
        Billy the Kid’s Round-Up (Sherman Scott). 1941. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Joan Barclay, Al St. John.
        Texas Manhunt (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.
        The Lone Rider and the Bandit. 1942. 54 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Vickie Lester.
        Raiders of the West (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Virginia Carroll, Lee Powell.
        Billy the Kid Trapped (Sherman Scott). 1942. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Anne Jeffreys.
        The Lone Rider in Cheyenne. 1942. 59 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Ella Neal.
        Rolling Down the Great Divide (Peter Stewart). 1942. 59 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Wanda McKay, Lee Powell.
        Billy the Kid’s Smoking Guns (Sherman Scott). 1942. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Joan Barclay.
        Texas Justice. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Wanda McKay.
        Tumbleweed Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Marjorie Manners, Lee Powell.
        Law and Order (Sherman Scott). 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Wanda McKay.
        Prairie Pals (Peter Stewart). 1942. 60 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Esther Estrella, Lee Powell.
        Border Roundup. 1942. 57 minutos. Blanco y Negro. PRC. George Hous ton, Al St. John, Patricia Knox.
        Along the Sundown Trail (Peter Stewart). 1942. 57 minutos. Blanco y Negro. PRC. Bill Boyd, Art Davis, Julie Duncan, Lee Powell.
        Sheriff of Sage Valley (Sherman Scott). 1962. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.
        The Mysterious Rider. 1942. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Caroline Burke.
        Outlaws of Boulder Pass. 1942. 58 minutos. Blanco y Negro. PRC. George Houston, Al St. John, Marjorie Manners.
        Overland Stagecoach. 1942. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Julie Duncan.
        The Kid Rides Again (Sherman Scott). 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Iris Meredith.
        Wild Horse Rustlers. 1943. 58 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Lane Chandler, Linda Johnson.
        Fugitive of the Plains. 1943. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Maxine Leslie.
        Death Rides the Plains. 1943. 55 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Nica Doret.
        Western Cyclone. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.
        Wolves of the Range. 1943. 60 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Frances Gladwyn.
        Cattle Stampede. 1943. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        The Renegade. 1943. 58 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lois Ranson.
        Blazing Frontier. 1943. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Marjorie Manners.
        Raiders of Red Gap. 1943. 56 minutos. Blanco y Negro. PRC. Robert Livingston, Al St. John, Myrna Dell.
        The Devil Riders. 1943. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Frontier Outlaws. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Thundering Gunslingers. 1944. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Valley of Vengeance. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.
        The Drifter. 1944. 62 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Carol Parker.
        Fuzzy Settles Down. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Rustler’s Hideout. 1944. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Wild Horse Phantom. 1944. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Elaine Morley.
        Oath of Vengeance. 1944. 57 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.
        His Brother’s Ghost. 1945. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John.
        Shadows of Death. 1945. 60 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Donna Dax.
        Gangster’s Den. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Sydney Logan.
        Stagecoach Outlaws. 1945. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Frances Gladwin.
        Border Badmen. 1945. 59 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Lorraine Miller.
        Fighting Bill Carson. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Kay Hugues.
        Prairie Rustlers. 1945. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Evelyn Finley.
        Ligthning Raiders. 1946. 61 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Mady Lawrence.
        Gentlemen with Guns. 1946. 52 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.
        Terrors on Horseback. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Ghost of Hidden Valley. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Jean Carlin.
        Prairie Badmen. 1946. 55 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patricia Knox.
        Overland Riders. 1946. 54 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Outlaws of the Plains. 1946. 56 minutos. Blanco y Negro. PRC. Buster Crabbe, Al St. John, Patti McCarthy.
        Western Pacific Agent. 1950. 62 minutos. Blanco y Negro. Lippert. Kent Taylor, Sheila Ryan, Robert Lowery.
        Three Desperate Men. 1951. 69 minutos. Blanco y Negro. Lippert. Preston Foster, Virginia Grey, Jim Davis.
        Skipalong Rosenbloom. 1951. 72 minutos. Blanco y Negro. Eagle Lion Classics (UA). Max Rosenbloom, Jackie Coogan, Hillary Brooke.
        Outlaw Women (co-d.: Ron Ormond). 1952. 75 minutos. Cinecolor. Howco (Lippert). Marie Windsor, Richard Rober.
        Last of the Desperados. 1955. 71 minutos. Blanco y Negro. Associated. James Craig, Margia Dean, Jim Davis.
        The Wild Dakotas. 1956. 71 minutos. Blanco y Negro. Associated. Bill Williams, Coleen Gray, Jim Davis.
        The Three Outlaws. 1956. 74 minutos. Blanco y Negro. SuperScope. Asso ciated. Neville Brand, Alan Hale, Jr., Lillian Molieri, Jeanne Carmen.
        Frontier Gambler. 1956. 70 minutos. Blanco y Negro. Associated. John Bromfield, Coleen Gray, Jim Davis, Margia Dean.
        Wolf Dog. 1958. 69 minutos. Blanco y Negro. RegalScope. Regal (Fox). Jim Davis, Allison Hayes.
        Flaming Frontier. 1958. 70 minutos. Blanco y Negro. RegalScope. Regal (Fox). Bruce Bennett, Paisley Maxwell, Jim Davis.

    English-Spanish dictionary of western films > Newfield, Sam

  • 15 Taylor, Ray

    1888-1952
       Actor y empresario teatral antes de la Primera Gue rra Mundial, despues se convierte en ayudante de direccion para Fox, trabajando con John Ford. En los anos 20 pasa a Universal, donde empieza a dirigir primero cortometrajes y despues peliculas de serie B, sobre todo thrillers y seriales diversos. En el sonoro, al que se adapta aceptablemente, trabaja con intensidad. Es, sin duda, uno de los realizadores mas prolificos del genero; mas de 80 westerns avalan su trayectoria, ni mas ni menos destacada que la de otros muchos, aunque no le falta buen pulso narrativo las mas de las veces. Trabaja, inevitablemente, con actores populares, y tambien prolificos, de los anos 30 y, en menor medida, 40. Peliculas de una hora de duracion, aproximadamente, con argumentos poco elaborados, y algun serial, dirigido en solitario a comienzos del sonoro, y ya en colaboracion unos diez anos despues, constituyen la inmensa mayoria de una filmografia inabarcable.
        The One Way Trail (La senda de la venganza). 1931. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Doris Hill, Polly Ann Young, Carroll Nye.
        Battling with Buffalo Bill. 1931. 217 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Lucille Browne, Rex Bell, William Desmond.
        Heroes of the West. 1932. 210 minutos. 12 capitulos. Blanco y Negro. Universal. Noah Beery, Jr., Julie Bishop, William Desmond, Onslow Stevens.
        Clancy of the Mounted. 1933. 225 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Jacqueline Wells, William Desmond.
        Gordon of Ghost City. 1933. 220 minutos. 12 capitulos. Blanco y Negro. Universal. Buck Jones, Madge Bellamy, Walter Miller.
        The Fighting Trooper. 1934. 61 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Barbara Worth, LeRoy Mason.
        Outlawed Guns. 1935. 62 minutos. Blanco y Negro. Universal. Buck Jones, Ruth Channing, Roy D’Arcy, Joan Gale.
        The Roaring West. 1935. 255 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller, Frank McGlynn.
        The Throwback (El hijo del cuatrero). 1935. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.
        The Ivory-Handled Gun (Exterminio). 1935. 58 minutos. Blanco y Negro. Universal. Buck Jones, Charlotte Wynters, Walter Miller.
        Sunset of Power (El ocaso del poder). 1936. 66 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Dix, Charles B. Middleton.
        Silver Spurs (El desfiladero perdido). 1936. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.
        The Cowboy and the Kid (El vaquero y el huerfano). 1936. 58 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Revier, Billy Burrud.
        The Phantom Rider. 1936. 258 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Marla Shelton, Diana Gibson, Harry Woods.
        The Three Mesquiteers. 1936. 61 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Syd Saylor, Kay Hugues.
        The Vigilantes Are Coming (co-d.: Mack V. Wright). 1936. 229 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Livingston, Kay Hugues, Guinn Williams, Raymond Hatton.
        The Painted Stallion (co-d.: Alan James, William Witney). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.
        Drums of Destiny. 1937. 62 minutos. Blanco y Negro. Crescent. Tom Keene, Edna Lawrence, Robert Fiske.
        Raw Timber. 1937. 63 minutos. Blanco y Negro. Crescent. Tom Keene, Peggy Keys, Robert Fiske.
        The Mystery of the Hooded Horsemen (Jinetes enmascarados). 1937. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Irish Meredith, Horace Murphy.
        Sudden Bill Dorn. 1937. 60 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Evelyn Brent.
        Boss of Lonely Valley. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller.
        Tex Ritter with the Boy Scouts. 1938. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Marjorie Reynolds, Snub Pollard.
        Hawaiian Buckaroo (La ultima emboscada). 1938. 62 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evalyn Knapp, Benny Burt, Pat O’Brien.
        The Painted Stallion (co-d.: Alan James, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.
        Frontier Town. 1938. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Ann Evers, Snub Pollard.
        Rawhide. 1938. 58 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Lou Gehrig, Evalyn Knapp.
        Flaming Frontiers (co-d.: Alan James). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.
        Panamint’s Bad Man (Jugandose la vida). 1938. 60 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evelyn Daw, Noah Beery.
        Riders of Pasco Basin. 1940. 56 minutos. Blanco y Negro. Universal. John ny Mack Brown, Frances Robinson, Bob Baker, Fuzzy Knight.
        West of Carson City. 1940. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Peggy Moran, Bob Baker, Fuzzy Knight.
        Bad Man from Red Butte. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Anne Gwynne, Bob Baker, Fuzzy Knight.
        Winners of the West (co-d.: Ford Beebe). 1940. 247 minutos. 13 capitulos. Blanco y Negro. Universal. Dick Foran, Anne Nagel.
        Ragtime Cowboy Joe. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Lynn Merrick, Fuzzy Knight.
        Law and Order. 1940. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Fuzzy Knight.
        Pony Post. 1940. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Dorothy Short, Fuzzy Knight.
        Boss of Bullion City. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Maria Montez, Fuzzy Knight.
        Bury Me Not on the Lone Prairie. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.
        Law of the Range. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Elaine Morley, Fuzzy Knight.
        Riders of Death Valley (Los jinetes de la muerte) (co-d.: Ford Beebe). 1941. 283 minutos. 15 capitulos. Blanco y Negro. Universal. Dick Foran, Leo Carrillo, Jeannie Kelly.
        Rawhide Rangers. 1941. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.
        Man from Montana. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.
        Fighting Bill Fargo. 1941. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.
        Stagecoach Buckaroo. 1942. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Anne Nagel, Fuzzy Knight.
        Cheyenne Roundup. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.
        The Lone Star Trail. 1943. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.
        Boss of Boomtown. 1944. 58 minutos. Blanco y Negro. Universal. Rod Cameron, Tom Tyler, Vivian Austin, Fuzzy Knight.
        Raiders of Ghost City (co-d.: Lewis D. Collins). 1944. 225 minutos. 13 capitulos. Blanco y negro. Universal. Dennis Moore, Wanda McKay.
        The Royal Mounted Rides Again (co-d.: Lewis D. Collins). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.
        The Daltons Ride Again (Casta indomable). 1945. 70 minutos. Blanco y Negro. Universal. Alan Curtis, Kent Taylor, Martha O’Driscoll.
        The Scarlet Horseman (co-d.: Lewis D. Collins). 1946. 248 minutos. 13 capitulos. Blanco y negro. Universal. Peter Cookson, Janet Shaw.
        Wild Country. 1947. 55 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Peggy Wynne.
        Law of the Lash. 1947. 53 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Scott
        Range Beyond the Blue. 1947. 53 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Helen Mowery.
        The Michigan Kid (El chico de Michigan/Ninguno como el). 1947. 69 minutos. Cinecolor. Universal. Jon Hall, Rita Johnson, Victor McLaglen.
        West to Glory. 1947. 56 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Dolores Castle.
        Border Feud. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Gloria Marlen.
        Pioneer Justice. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.
        Ghost Town Renegades. 1947. 58 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.
        The Vigilantes Return. 1947. 67 minutos. Cinecolor. Universal. Jon Hall, Margaret Lindsay, Paula Drew.
        Stage to Mesa City. 1947. 56 min. B y N. PRC. Lash LaRue, Al St. John.
        Black Hills. 1947. 60 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.
        Return of the Lash. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Maynard.
        The Fighting Vigilantes. 1947. 61 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.
        Shadow Valley. 1947. 59 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.
        Cheyenne Takes Over. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Nancy Gates.
        Check Your Guns. 1948. 55 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Nancy Gates.
        Tornado Range. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.
        The Westward Trail. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Phyllis Planchard.
        The Hawk of Powder River. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.
        The Tioga Kid. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.
        Range Justice. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Felice Ingersall, Max Terhune.
        The Return of Wildfire (Tierra de heroes). 1948. 83 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Patricia Morison, Mary Beth Hugues.
        Dead Man’s Gold. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.
        Mark of the Lash. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Suzi Crandall.
        Gunning for Justice. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Evelyn Finley, Max Terhune, Raymond Hatton.
        Hidden Danger. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Christine Larsen, Max Terhune, Raymond Hatton.
        Frontier Revenge. 1948. 56 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.
        Outlaw Country. 1949. 66 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Nancy Saunders.
        Crashing Thru. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Christine Larsen, Andy Clyde.
        Shadows of the West. 1949. 59 minutos. Blanco y Negro. Monogram. Whip Wilson, Reno Browne, Andy Clyde.
        Law of the West. 1949. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Gerry Patterson, Max Terhune.
        Son of Billy the Kid. 1949. 65 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Marion Colby.
        Son of a Badman. 1949. 64 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Noel Neill.
        West of El Dorado. 1949. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Max Terhune.

    English-Spanish dictionary of western films > Taylor, Ray

  • 16 Ports and shipping

    [br]
    Armstrong, Sir William George
    Egerton, Francis
    Li Gao
    Peter the Great
    Shen Gua
    Stanhope, Charles

    Biographical history of technology > Ports and shipping

  • 17 Medical technology

    [br]
    Chamberlen, Peter (the elder)
    Fabricius, Hieronymus
    Lister, Joseph
    Marton, Ladislaus

    Biographical history of technology > Medical technology

  • 18 Hill, Robert F.

    1886-1966
       Actor, guionista y director de origen canadiense, rueda mas de cien peliculas, entre mudas y sonoras. Una parte importante de su produccion, hasta un total de 33 titulos en diez anos, la constituyen peliculas del oeste de una hora de duracion, protagonizadas por algunos de los heroes del genero de los anos 30. Ninguna de ellas tiene la menor trascendencia en la historia del western. Hill tenia fama de acabar sus peliculas en el tiempo previsto y por debajo del presupuesto asignado.
        Heroes of the Flames. 1931. 240 minutos. 12 capitulos. Blanco y Negro. Universal. Tim McCoy, Marion Shockley.
        Sundown Trail (El centauro de Cheyenne). 1931. 56 minutos. Blanco y Negro. RKO-Pathe. Tom Keene, Marion Shilling.
        Come on Danger! (A mi los valientes). 1932. 60 minutos. Blanco y Negro. RKO. Tom Keene, Julie Haydon.
        The Cheyenne Kid. 1933. 61 minutos. Blanco y Negro. RKO. Tom Keene, Mary Mason.
        The Crimson Paradise. 1933. 50 minutos. Blanco y Negro. Northern. Nick Stuart, Lucille Browne.
        A Demon for Trouble. 1934. 58 minutos. Blanco y Negro. Supreme. Bob Steele, Gloria Shea.
        Outlaw’s Highway. 1934. 61 minutos. Blanco y Negro. Trop. Jack King, Del Morgan, Bonita Baker.
        Frontier Days. 1934. 61 minutos. Blanco y Negro. Spectrum. Bill Cody, Ada Ince.
        Cowboy Holiday. 1934. 56 minutos. Blanco y Negro. Beacon/Alexander. Guinn Williams, Janet Chandler.
        Six Gun Justice. 1935. 57 minutos. Blanco y Negro. Spectrum. Bill Cody, Ethel Jackson.
        Cyclone Ranger. 1935. 60 minutos. Blanco y Negro. Spectrum. Bill Cody, Nina Quartero.
        The Texas Rambler. 1935. 59 minutos. Blanco y Negro. Spectrum. Bill Cody, Catherine Cotter (Marie Burton).
        Vanishing Riders. 1935. 58 minutos. Blanco y Negro. Spectrum. Bill Cody, Ethel Jackson.
        Danger Trails. 1935. 62 minutos. Blanco y Negro. Beacon/Alexander. Guinn Williams, Marjorie Gordon.
        Rio Grande Romance. 1936. 69 minutos. Blanco y Negro. Victory. Edward J. Nugent, Maxine Doyle.
        Too Much Beef. 1936. 60 minutos. Blanco y Negro. Colony. Rex Bell, Constante Bergen, Horace Murphy.
        West of Nevada. 1936. 57 minutos. Blanco y Negro. Colony. Rex Bell, Joan Barclay, Al St. John.
        The Idaho Kid. 1936. 69 minutos. Blanco y Negro. Colony. Rex Bell, Marion Shilling.
        Men of the Plains. 1936. 62 minutos. Blanco y Negro. Colony. Rex Bell, Joan Barclay.
        Rip Roarin’ Buckaroo. 1936. 57 minutos. Blanco y Negro. Victory. Tom Tyler, Beth Marion.
        Law and Lead. 1936. 60 minutos. Blanco y Negro. Colony. Rex Bell, Harley Wood.
        The Phantom of the Range. 1936. 57 minutos. Blanco y Negro. Victory. Tom Tyler, Beth Marion.
        Cheyenne Rides Again. 1937. 56 minutos. Blanco y Negro. Victory. Tom Tyler, Lucille Browne.
        The Roaming Cowboy (A tiro limpio). 1937. 56 minutos. Blanco y Negro. Spectrum. Fred Scott, Lois January, Al St. John.
        The Feud of the Trail. 1937. 56 minutos. Blanco y Negro. Victory. Tom Tyler, Harley Wood.
        Mystery Range. 1937. 55 minutos. Blanco y Negro. Victory. Tom Tyler, Jerry Bergh.
        The Painted Trail. 1938. 50 minutos. Blanco y Negro. Monogram. Tom Keene, Elaine Stewart.
        Whirlwind Horseman. 1938. 57 minutos. Blanco y Negro. Grand National. Ken Maynard, Joan Barclay.
        Man’s Country. 1938. 53 minutos. Blanco y Negro. Monogram. Jack Randall, Marjorie Reynolds, Ralph Peters.
        Wild Horse Canyon. 1938. 57 minutos. Blanco y Negro. Monogram. Jack Randall, Dorothy Short, Frank Yaconelli.
        Drifting Westward. 1939. 58 minutos. Blanco y Negro. Monogram. Jack Randall, Edna Duran, Frank Yaconelli.
        Overland Mail. 1939. 51 minutos. Blanco y Negro. Monogram. Jack Randall, Jean Joyce, Vince Barnett.
        Wanderers of the West. 1941. 58 minutos. Blanco y Negro. Monogram. Tom Keene, Sugar Dawn, Betty Miles.

    English-Spanish dictionary of western films > Hill, Robert F.

  • 19 Civil engineering

    [br]
    Du Yu
    Guo Shoujing
    Shi Lu
    Türr, Istvan

    Biographical history of technology > Civil engineering

  • 20 Selander, Lesley

    1900-1979
       Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.
        Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.
        The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.
        Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.
        Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.
        Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.
        Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.
        Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.
        The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.
        Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.
        Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.
        Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.
        Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.
        Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.
        The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.
        The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.
        Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.
        Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.
        Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.
        The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.
        Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.
        Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.
        Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.
        The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.
        Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.
        Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.
        Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.
        Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.
        Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.
        The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.
        Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.
        Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.
        Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,
        Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.
        Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.
        Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.
        Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.
        Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.
        Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.
        Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.
        Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.
        Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.
        Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.
        Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.
        Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.
        Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.
        Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.
        Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.
        Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.
        Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.
        Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.
        Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.
        The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.
        Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.
        Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.
        Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.
        Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.
        The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.
        Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.
        Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.
        Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.
        Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.
        Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.
        Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.
        Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.
        Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.
        The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.
        Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.
        Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.
        Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.
        Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.
        Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.
        The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.
        Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.
        Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin
        Saddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.
        Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.
        Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.
        Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.
        Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.
        Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.
        Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.
        The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.
        Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.
        Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.
        War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.
        Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.
        The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.
        Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.
        Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.
        Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.
        The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.
        Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.
        Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.
        Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.
        Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.
        The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.
        Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.
        War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.
        Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.
        Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.
        The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana Lorys
        Fort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.
        Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.

    English-Spanish dictionary of western films > Selander, Lesley

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